Miguel J Ramirez
Anton Bruckner and the Reception of His Music
A History of Dichotomies and Controversies
Miguel J Ramirez
Anton Bruckner and the Reception of His Music
A History of Dichotomies and Controversies
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A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner.
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A bold, deeply researched, and long-needed debunking of the platitudes and prejudices that have long clouded our view of the personality and compositional habits of Anton Bruckner.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 320
- Erscheinungstermin: 8. Oktober 2024
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 621g
- ISBN-13: 9781648250996
- ISBN-10: 1648250998
- Artikelnr.: 70454899
- Verlag: Boydell & Brewer
- Seitenzahl: 320
- Erscheinungstermin: 8. Oktober 2024
- Englisch
- Abmessung: 229mm x 152mm x 21mm
- Gewicht: 621g
- ISBN-13: 9781648250996
- ISBN-10: 1648250998
- Artikelnr.: 70454899
MIGUEL J. RAMIREZ is an independent scholar and musician whose research interests include Austro-German music and culture in the nineteenth century, neo-Riemannian theory, and the cultural links between Germany and Latin America during the Third Reich.
List of Musical Examples Note on Access to the Periodical Literature Cited
Acknowledgments Introduction Part I: Perceptions of Bruckner's Personality
Chapter 1. Bruckner's History: History's Bruckner Of Candles and Flames Of
Platitudes and Psychograms Of Biographies and Hagiographies Chapter 2. A
History of Controversies The Transmission of Bruckner's Music The IBG and
the "Regensburg Walpurgis Night" Part II: Viennese Reception of Bruckner's
Music Chapter 3. Early Reception, ca. 1873-1885 "A Sort of Dictatorship
Over Public Opinion": Feuilletonism vs Music Criticism "At the End of All
Music": Early Works and The Second Symphony "An Unforgettable,
Heart-Wrenching Moment": The Third Symphony "A Musical Civil War Broke
Out": The Fourth Symphony and the F-Minor Mass "Bruckner Can No Longer be
Ignored": The Sixth Symphony and the String Quintet Chapter 4. Mid
Reception, ca. 1885-1892 "The Pinnacle of Symphonic Creation": The Seventh
Symphony in Germany "The Time Is Near": The Te Deum and the Seventh
Symphony in Austria "Malicious and Subjective Criticism": 1890 Performance
of the Third Symphony "Imbued with the Seal of Brilliance": Other Works
Performed in the 1890s Chapter 5. Late and Posthumous Reception, ca.
1892-1924 "A Total Victory of Light Over Darkness": The Eighth Symphony and
the Late Reception "Bruckner Is A Simple Being": Schenker's Reception of
Bruckner "Already Blessed with A Monument!": Posthumous Reception of
Bruckner Conclusion: Myths and Fallacies Of Opponents and Enemies Of
Unbildung and Formlessness Bibliography Index
Acknowledgments Introduction Part I: Perceptions of Bruckner's Personality
Chapter 1. Bruckner's History: History's Bruckner Of Candles and Flames Of
Platitudes and Psychograms Of Biographies and Hagiographies Chapter 2. A
History of Controversies The Transmission of Bruckner's Music The IBG and
the "Regensburg Walpurgis Night" Part II: Viennese Reception of Bruckner's
Music Chapter 3. Early Reception, ca. 1873-1885 "A Sort of Dictatorship
Over Public Opinion": Feuilletonism vs Music Criticism "At the End of All
Music": Early Works and The Second Symphony "An Unforgettable,
Heart-Wrenching Moment": The Third Symphony "A Musical Civil War Broke
Out": The Fourth Symphony and the F-Minor Mass "Bruckner Can No Longer be
Ignored": The Sixth Symphony and the String Quintet Chapter 4. Mid
Reception, ca. 1885-1892 "The Pinnacle of Symphonic Creation": The Seventh
Symphony in Germany "The Time Is Near": The Te Deum and the Seventh
Symphony in Austria "Malicious and Subjective Criticism": 1890 Performance
of the Third Symphony "Imbued with the Seal of Brilliance": Other Works
Performed in the 1890s Chapter 5. Late and Posthumous Reception, ca.
1892-1924 "A Total Victory of Light Over Darkness": The Eighth Symphony and
the Late Reception "Bruckner Is A Simple Being": Schenker's Reception of
Bruckner "Already Blessed with A Monument!": Posthumous Reception of
Bruckner Conclusion: Myths and Fallacies Of Opponents and Enemies Of
Unbildung and Formlessness Bibliography Index
List of Musical Examples Note on Access to the Periodical Literature Cited
Acknowledgments Introduction Part I: Perceptions of Bruckner's Personality
Chapter 1. Bruckner's History: History's Bruckner Of Candles and Flames Of
Platitudes and Psychograms Of Biographies and Hagiographies Chapter 2. A
History of Controversies The Transmission of Bruckner's Music The IBG and
the "Regensburg Walpurgis Night" Part II: Viennese Reception of Bruckner's
Music Chapter 3. Early Reception, ca. 1873-1885 "A Sort of Dictatorship
Over Public Opinion": Feuilletonism vs Music Criticism "At the End of All
Music": Early Works and The Second Symphony "An Unforgettable,
Heart-Wrenching Moment": The Third Symphony "A Musical Civil War Broke
Out": The Fourth Symphony and the F-Minor Mass "Bruckner Can No Longer be
Ignored": The Sixth Symphony and the String Quintet Chapter 4. Mid
Reception, ca. 1885-1892 "The Pinnacle of Symphonic Creation": The Seventh
Symphony in Germany "The Time Is Near": The Te Deum and the Seventh
Symphony in Austria "Malicious and Subjective Criticism": 1890 Performance
of the Third Symphony "Imbued with the Seal of Brilliance": Other Works
Performed in the 1890s Chapter 5. Late and Posthumous Reception, ca.
1892-1924 "A Total Victory of Light Over Darkness": The Eighth Symphony and
the Late Reception "Bruckner Is A Simple Being": Schenker's Reception of
Bruckner "Already Blessed with A Monument!": Posthumous Reception of
Bruckner Conclusion: Myths and Fallacies Of Opponents and Enemies Of
Unbildung and Formlessness Bibliography Index
Acknowledgments Introduction Part I: Perceptions of Bruckner's Personality
Chapter 1. Bruckner's History: History's Bruckner Of Candles and Flames Of
Platitudes and Psychograms Of Biographies and Hagiographies Chapter 2. A
History of Controversies The Transmission of Bruckner's Music The IBG and
the "Regensburg Walpurgis Night" Part II: Viennese Reception of Bruckner's
Music Chapter 3. Early Reception, ca. 1873-1885 "A Sort of Dictatorship
Over Public Opinion": Feuilletonism vs Music Criticism "At the End of All
Music": Early Works and The Second Symphony "An Unforgettable,
Heart-Wrenching Moment": The Third Symphony "A Musical Civil War Broke
Out": The Fourth Symphony and the F-Minor Mass "Bruckner Can No Longer be
Ignored": The Sixth Symphony and the String Quintet Chapter 4. Mid
Reception, ca. 1885-1892 "The Pinnacle of Symphonic Creation": The Seventh
Symphony in Germany "The Time Is Near": The Te Deum and the Seventh
Symphony in Austria "Malicious and Subjective Criticism": 1890 Performance
of the Third Symphony "Imbued with the Seal of Brilliance": Other Works
Performed in the 1890s Chapter 5. Late and Posthumous Reception, ca.
1892-1924 "A Total Victory of Light Over Darkness": The Eighth Symphony and
the Late Reception "Bruckner Is A Simple Being": Schenker's Reception of
Bruckner "Already Blessed with A Monument!": Posthumous Reception of
Bruckner Conclusion: Myths and Fallacies Of Opponents and Enemies Of
Unbildung and Formlessness Bibliography Index