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The advent of new screening practices and viewing habits in the twenty-first century has spurred debate over what it means to be a â cinephile.â Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.

Produktbeschreibung
The advent of new screening practices and viewing habits in the twenty-first century has spurred debate over what it means to be a â cinephile.â Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images.
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Autorenporträt
Sarah Keller is associate professor of art and cinema studies at the University of Massachusetts Boston. She is the author of Maya Deren: Incomplete Control (Columbia, 2014) and the coeditor of Jean Epstein: Critical Essays and New Translations (2012).