'This is an exceptionally lucid, detailed introduction to the disruptive thought of Michel Serres. Christopher Watkin opens his admirable account by outlining Serres's disagreements with Descartes and Plato, and with Serres's adaptation of Leibnizian monadology. Rethinking space and time, language, quasi-objects and a new broad scope notion of ecology fill out an intense engagement with Serres's powerfully enabling legacy. Both general readers and specialists are in Watkin's debt for thus providing access to the strange new world of Serresian philosophy.' Joanna Hodge, Manchester Metropolitan…mehr
Clive Baldwin is Honorary Associate of the Faculty of Arts and Social Sciences, The Open University and formerly Associate Dean for Learning and Teaching in the Faculty of Arts, The Open University. His publications include a review of Maggie McKinley, Masculinity and the Paradox of Violence in American Fiction, 1950-75 in Culture, Society & Masculinities, 8:1, 2016, 'Digressing from the point: Holden Caulfield's women' in Sarah Graham. J.D. Salinger's The Catcher in the Rye (London: Routledge, 2007), and '"A certain ill-defined disgrace": masculinity and sexuality in Ian McEwan's On Chesil Beach', English Review, 2011.
Inhaltsangabe
Acknowledgments Introduction: anxiety, conformity and masculinity 1. 'Organisation Man', domestic ideology and manhood 2. 'Everything in him had come undone': violent aggression, courage, and masculine identity 3. Representing sexualities and gender 4. Identity and assimilation in Jewish-American fiction 5. African-American identity and masculinity Afterword Works cited and consulted Index.
Acknowledgments Introduction: anxiety, conformity and masculinity 1. 'Organisation Man', domestic ideology and manhood 2. 'Everything in him had come undone': violent aggression, courage, and masculine identity 3. Representing sexualities and gender 4. Identity and assimilation in Jewish-American fiction 5. African-American identity and masculinity Afterword Works cited and consulted Index.
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