A study of Aphra Behn's drama, fiction, poetry and translation, as well as other aspects of her life, from her publishing struggles to her involvement in American slavery.
A study of Aphra Behn's drama, fiction, poetry and translation, as well as other aspects of her life, from her publishing struggles to her involvement in American slavery.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction Janet Todd; Part I. Plays: 1. Sexual politics and party politics in Behn's drama, 1678-83 Sue Owen; 2. Popish plots: The Feign'd Curtizans in context Alison Shell; 3. Fiction feigning feminity: false counts and pageant kings in Aphra Behn's Popish Plot writings Ros Ballaster; 4. More for seeing than hearing: Behn and the use of theatre Dawn Lewcock; 5. The Rover and the eighteenth century Jane Spencer; Part II. Poetry: 6. Aphra Behn: poetry and masquerade Paul Salzman; 7. 'For when the act is done and finish't cleane, what should the poet doe, but shift the scene?': propaganda, professionalism and Aphra Behn Virginia Crompton; 8. Aphra Behn: the politics of translation Elizabeth Spearing; 9. 'But to the touch were soft': sex, property and the politics of the penis Jessica Munns; Part II. Fiction: 10. Who is Silvia: what is she?: feminine identity in Aphra Behn's Love-Letters between a Nobleman and his Sister Janet Todd; 11. Slave princes and lady monsters: gender and ethnic difference in the work of Aphra Behn Jacqueline Pearson; 12. Oroonoko's blackness Catherine Gallagher; 13. Confusing matters: searching the backgrounds of Oroonoko Joanna Lipking; Part IV. Biography: 14. Private jottings, public utterances: Aphra Behn's writings and her Commonplace Book Mary Ann O'Donnell; 15. New light on the background and early life of Aphra Behn Jane Jones.
Introduction Janet Todd; Part I. Plays: 1. Sexual politics and party politics in Behn's drama, 1678-83 Sue Owen; 2. Popish plots: The Feign'd Curtizans in context Alison Shell; 3. Fiction feigning feminity: false counts and pageant kings in Aphra Behn's Popish Plot writings Ros Ballaster; 4. More for seeing than hearing: Behn and the use of theatre Dawn Lewcock; 5. The Rover and the eighteenth century Jane Spencer; Part II. Poetry: 6. Aphra Behn: poetry and masquerade Paul Salzman; 7. 'For when the act is done and finish't cleane, what should the poet doe, but shift the scene?': propaganda, professionalism and Aphra Behn Virginia Crompton; 8. Aphra Behn: the politics of translation Elizabeth Spearing; 9. 'But to the touch were soft': sex, property and the politics of the penis Jessica Munns; Part II. Fiction: 10. Who is Silvia: what is she?: feminine identity in Aphra Behn's Love-Letters between a Nobleman and his Sister Janet Todd; 11. Slave princes and lady monsters: gender and ethnic difference in the work of Aphra Behn Jacqueline Pearson; 12. Oroonoko's blackness Catherine Gallagher; 13. Confusing matters: searching the backgrounds of Oroonoko Joanna Lipking; Part IV. Biography: 14. Private jottings, public utterances: Aphra Behn's writings and her Commonplace Book Mary Ann O'Donnell; 15. New light on the background and early life of Aphra Behn Jane Jones.
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