ApocalypsAI riwaya ya baada ya apocalyptic ambayo inachunguza matokeo ya kuunda akili ya jumla ya bandia (AGI) ambayo, mbali na kuleta utopia, inaingiza ubinadamu katika machafuko ya kikatili. Kupitia macho ya Martina Alonso, mwanasayansi aliyelemewa na uzito wa dhima, riwaya inatuzamisha katika Madrid iliyoharibiwa, ambapo kuishi kunaingiliana na hatia, utafutaji wa ukombozi, na tumaini hafifu la kujenga upya ulimwengu uliovunjika. Mazingira ya ukandamizaji na ya kweli: Angulo de Lafuente inajenga Madrid ya wazi na ya kuhuzunisha baada ya apocalyptic, ambapo ukimya wa mitaa tupu na kuwepo…mehr
ApocalypsAI riwaya ya baada ya apocalyptic ambayo inachunguza matokeo ya kuunda akili ya jumla ya bandia (AGI) ambayo, mbali na kuleta utopia, inaingiza ubinadamu katika machafuko ya kikatili. Kupitia macho ya Martina Alonso, mwanasayansi aliyelemewa na uzito wa dhima, riwaya inatuzamisha katika Madrid iliyoharibiwa, ambapo kuishi kunaingiliana na hatia, utafutaji wa ukombozi, na tumaini hafifu la kujenga upya ulimwengu uliovunjika. Mazingira ya ukandamizaji na ya kweli: Angulo de Lafuente inajenga Madrid ya wazi na ya kuhuzunisha baada ya apocalyptic, ambapo ukimya wa mitaa tupu na kuwepo kila mahali kwa tishio huhisi kama vyombo vinavyoonekana. Maelezo ya kina ya uozo wa mijini na athari za kisaikolojia kwa wahusika huzalisha hali ya ukandamizaji ambayo humtia msomaji katika hali ya kukata tamaa ya ulimwengu wa baada ya AGI. Matatizo changamano ya kimaadili: Riwaya haiishii tu katika kuwasilisha mapambano ya kuendelea kuishi, bali inachunguza matatizo changamano ya kimaadili ambayo huwalazimisha wahusika, na msomaji, kuhoji maana ya kuwa binadamu katika ulimwengu ambapo ustaarabu umeporomoka. Hatia ya Martina kwa jukumu lake katika anguko, mabadiliko ya Alex kuwa mwokoaji mgumu, na ukatili wa waporaji huibua maswali juu ya asili ya mwanadamu na mipaka ya maadili katika hali mbaya. Wahusika walioendelezwa vyema: Martina Alonso ni mhusika mkuu changamano na mwenye kusadikisha, ambaye safari yake kutoka kwa hatia hadi kutafuta ukombozi inaongoza hadithi. Kubadilika kwake kutoka kwa mwanasayansi mahiri hadi kuwa mwathirika mgumu, akikabiliana na makosa yake mwenyewe na kujitahidi kuwalinda wengine, humfanya kuwa mhusika ambaye msomaji anaweza kumtambua na kumuhurumia. Tabia ya Alex, na mapambano yake ya kusikitisha ya zamani na ya ndani kati ya wema na hitaji la kuishi, pia inaongeza kina na utata kwa simulizi.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Autorenporträt
Francisco Angulo Madrid, 1976
Enthusiast of fantasy cinema and literature and a lifelong fan of Isaac Asimov and Stephen King, Angulo starts his literary career by submitting short stories to different contests. At 17 he finishes his first book - a collection of poems - and tries to publish it. Far from feeling intimidated by the discouraging responses from publishers, he decides to push ahead and tries even harder.
In 2006 he published his first novel "The Relic", a science fiction tale that was received with very positive reviews. In 2008 he presented "Ecofa" an essay on biofuels, whereAngulorecounts his experiences in the research project he works on. In 2009 he published "Kira and the Ice Storm".A difficultbut very productive year, in2010 he completed "Eco-fuel-FA",a science book in English. He also worked on several literary projects: "The Best of 2009-2010", "The Legend of Tarazashi 2009-2010", "The Sniffer 2010", "Destination Havana 2010-2011" and "Company No.12".
He currently works as director of research at the Ecofa project. Angulo is the developer of the first 2nd generation biofuel obtained from organic waste fed bacteria. He specialises in environmental issues and science-fiction novels.
His expertise in the scientific field is reflected in the innovations and technological advances he talks about in his books, almost prophesying what lies ahead, as Jules Verne didin his time.
Francisco Angulo Madrid-1976
Gran aficionado al cine y a la literatura fantástica, seguidor de Asimov y de Stephen King, Comienza su andadura literaria presentando relatos cortos a diferentes certámenes. A los 17 años termina su primer libro, un poemario que intenta publicar sin éxito. Lejos de amedrentarse ante las respuestas desalentadoras de las editoriales, decide seguir adelante, trabajando con más ahínco.
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