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By analyzing many films, by drawing on the philosophy of Lyotard, Nancy, and Derrida, this book suggest that in the apocalyptic genre, cinema is at work on its limit. Apocalypse-cinema is both the end of the world and the end of the film, the consummation and the (self)consumption of cinema.

Produktbeschreibung
By analyzing many films, by drawing on the philosophy of Lyotard, Nancy, and Derrida, this book suggest that in the apocalyptic genre, cinema is at work on its limit. Apocalypse-cinema is both the end of the world and the end of the film, the consummation and the (self)consumption of cinema.
Autorenporträt
Peter Szendy is David Herlihy Professor of Humanities and Comparative Literature at Brown University and musicological advisor for the concert programs at the Paris Philharmonie. His books include Of Stigmatology: Punctuation as Experience; All Ears: The Aesthetics of Espionage; Apocalypse-Cinema: 2012 and Other Ends of the World; Kant in the Land of Extraterrestrials; Hits: Philosophy in the Jukebox; and Listen: A History of Our Ears..