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This paper aims to explore how metal craft creators practices craft to create metalwork jewelry implanted through cultural connotation to finally achieve the communication between the creator and the viewer or wearer, the research method of constructing three stages of design process. In the example listed, the auspicious culture, as one part of Chinese profound culture, is trans- formed into the visual form of metalwork jewelry via the artistic language of metalwork creation, facilitating viewers to interpret the concept of the creator through creation, so as to maximize the reading validity of the viewers.