Appropriating Shakespeare argues that the vibrant history of Pyramus and Thisbe as an independent text affirms the place of artist as both consumer and producer of Shakespeare. The playlet's four-century history is one that identifies Shakespeare's value as a transformative agent of aesthetic inquiry.
Appropriating Shakespeare argues that the vibrant history of Pyramus and Thisbe as an independent text affirms the place of artist as both consumer and producer of Shakespeare. The playlet's four-century history is one that identifies Shakespeare's value as a transformative agent of aesthetic inquiry.
Produktdetails
Produktdetails
The Fairleigh Dickinson University Press Series on Shakespeare and the Stage
Louise Geddes is assistant professor of English at Adelphi University.
Inhaltsangabe
List of Illustrations Acknowledgments Introduction: "You may do it extempore" 1 Performance as Appropriation: Bottom, Celebrity, and the Early Modern Clown 2 "The Taste of the Present Times": Challenging Parody in the Eighteenth Century 3 "I have a passion for good prose": Transmedial Shakespeare in the Nineteenth Century 4 "Know that I, one Ringo the Drummer Am": Mass Media and the Authenticity of Subculture 5 As We Like It: Transcultural Shakespeares in the Twenty-first Century Epilogue: "It must be your imagination, then" Bibliography Index About the Author
List of Illustrations Acknowledgments Introduction: "You may do it extempore" 1 Performance as Appropriation: Bottom, Celebrity, and the Early Modern Clown 2 "The Taste of the Present Times": Challenging Parody in the Eighteenth Century 3 "I have a passion for good prose": Transmedial Shakespeare in the Nineteenth Century 4 "Know that I, one Ringo the Drummer Am": Mass Media and the Authenticity of Subculture 5 As We Like It: Transcultural Shakespeares in the Twenty-first Century Epilogue: "It must be your imagination, then" Bibliography Index About the Author
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