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As the cruel South Dakota winter thawed toward the end of February 1976, a rancher on Pine Ridge Indian Reservation discovered the frostbitten corpse of a Jane Doe at the bottom of a 30-foot cliff, 100 feet from a state highway. An autopsy determined she had died of exposure, while the FBI sent her severed hands to Washington for analysis. Weeks later, a match of fingerprints to feisty American Indian Movement (AIM) activist Anna Mae Pictou-Aquash led to exhumation and another autopsy, this time revealing that she had been shot in the head. Those sympathetic to AIM assumed hers was simply one…mehr

Produktbeschreibung
As the cruel South Dakota winter thawed toward the end of February 1976, a rancher on Pine Ridge Indian Reservation discovered the frostbitten corpse of a Jane Doe at the bottom of a 30-foot cliff, 100 feet from a state highway. An autopsy determined she had died of exposure, while the FBI sent her severed hands to Washington for analysis. Weeks later, a match of fingerprints to feisty American Indian Movement (AIM) activist Anna Mae Pictou-Aquash led to exhumation and another autopsy, this time revealing that she had been shot in the head. Those sympathetic to AIM assumed hers was simply one of nearly 200 unsolved murders during an era when the Reservation was held secretly under martial law, now known as the Reign of Terror. Months before Aquash's murder, a deadly gun battle between AIM members and two young FBI agents forced her to flee with her friend and fellow agitator Leonard Peltier. Although Peltier always denied FBI claims that he was the one who delivered coup de grâ ce shots to the agents, he was eventually convicted of double murder. This prompted unsuccessful popular movements for a Presidential pardon as inept lies from both sides helped stalemate any legal or polit
Autorenporträt
Born in Michigan but raised in Central California, Dr. Gregg Wager studied music composition with Morten Lauridsen and Jim Hopkins at the University of Southern California and Mel Powell and Morton Subotnick at California Institute of the Arts, eventually earning a PhD in musicology with Prof. Dr. Albrecht Rietmü ller at Free University Berlin. During the 1980s, he contributed regularly to the Los Angeles Times as a classical music critic. He has also served as an adjunct professor in music composition at Purchase College (2000-2006); and since 2009, contributed program notes to the Los Angeles