AR - Mozenter, Cyrilla; Perkis, Philip
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In her foreword, Anne Murray writes, "In what appears as a semiotic symphony, this book brings together two disparate minds who appear in ether, their works a semblance of patterns emerging in a cloud, and as dust, settling into letters and shapes."

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Produktbeschreibung
In her foreword, Anne Murray writes, "In what appears as a semiotic symphony, this book brings together two disparate minds who appear in ether, their works a semblance of patterns emerging in a cloud, and as dust, settling into letters and shapes."
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Autorenporträt
Cyrilla Mozenter is known for her gouache-painted, pencil-drawn (and written) works on paper and hand stitched industrial wool felt freestanding and wall pieces that include the transplantation of cutout letters, letter-derived and pictogram-like shapes. These works hover in the space between two and three-dimensions. Many of the titles and words that appear in the work come from Gertrude Stein's writing. They are playful and absurd, defying singular interpretations. Solo exhibitions include Present Participle, 57W57 Arts, See Why and the failed utopian, Lesley Heller Gallery, NY; the failed utopian & Other Stories, FiveMyles, Brooklyn; warm snow, Adam Baumgold Gallery, NY, and the Garrison Art Center, Garrison, NY; More saints seen, The Aldrich Contemporary Art Museum, Ridgefield, CT; and Very well saint, The Drawing Center, NY. She has produced two collaborative books with photographer/writer Philip Perkis: ar, AC Books, San Diego, 2023, and the bilingual Octave, anmoc press, Seoul, 2020. A 2020 Guggenheim Fellow, she has also received two fellowships from the NY Foundation for the Arts and two project grants from The Fifth Floor Foundation. She has been in residence at Pianpicollo Selvatico, Dieu Donné Papermill, and Instituto Municipal de Arte e Cultura-Rioarte. Her work is in numerous public collections including the Brooklyn Museum and the Yale University Art Gallery. She taught for many years in the MFA program at Pratt Institute.