Does a photograph freeze a moment of time? What does it mean to treat a photographic image as an artefact? In the 21st century, do new digital and social forms change the status of photography as archival or objective - or are they revealing something more fundamental about photography's longstanding relationships with time and knowledge?
Does a photograph freeze a moment of time? What does it mean to treat a photographic image as an artefact? In the 21st century, do new digital and social forms change the status of photography as archival or objective - or are they revealing something more fundamental about photography's longstanding relationships with time and knowledge?Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lesley McFadyen is Lecturer in Archaeology, Birkbeck, University of London. She has published on a broad range of topics relating to the archaeology of time, architecture and geography in relation to European prehistory. She is the editor of The Prehistory of France (CUP in preparation, edited with Cyril Marcigny).Dan Hicks MCIfA, FSA is Professor of Contemporary Archaeology, School of Archaeology and Pitt Rivers Museum, University of Oxford, and a Fellow of St Cross College, Oxford. He has published widely in Archaeology, Anthropology and Museum Studies, specialising in historical archaeology and the history of archaeology, and is the editor of The Cambridge Companion to Historical Archaeology (CUP 2006, with Mary Beaudry) and The Oxford Handbook of Material Culture Studies (OUP 2010, with Mary Beaudry). With historian William Whyte, Dan is also General Editor of a six-volume series A Cultural History of Objects for Bloomsbury.
Inhaltsangabe
Notes on contributorsList of FiguresPreface 1. Introduction: From Archaeology to Photology Lesley McFadyen and Dan Hicks2. The Transformation of Visual Archaeology Dan Hicks3. 'At any given moment': duration in archaeology and photography Mark Knight and Lesley McFadyen4. Exposing Archaeology: Beauty Time and Mistaken Images J.A. Baird5. Parafictions: a Polaroid Archaeology Joanna Alves-Ferreira6. Archaeology Photography and Poetics Sergio Gomes7. Between the medium and the metaphor: multiple temporalities in photography and archaeology Antonia Thomas8. Photographing Buildings James Dixon9. Photographing Graffiti Alex Hale and Iain Anderson10. Photography and Intangible Heritage Samuel Derbyshire11. The Aerial Imagination Oscar Aldred Index
Notes on contributorsList of FiguresPreface 1. Introduction: From Archaeology to Photology Lesley McFadyen and Dan Hicks2. The Transformation of Visual Archaeology Dan Hicks3. 'At any given moment': duration in archaeology and photography Mark Knight and Lesley McFadyen4. Exposing Archaeology: Beauty Time and Mistaken Images J.A. Baird5. Parafictions: a Polaroid Archaeology Joanna Alves-Ferreira6. Archaeology Photography and Poetics Sergio Gomes7. Between the medium and the metaphor: multiple temporalities in photography and archaeology Antonia Thomas8. Photographing Buildings James Dixon9. Photographing Graffiti Alex Hale and Iain Anderson10. Photography and Intangible Heritage Samuel Derbyshire11. The Aerial Imagination Oscar Aldred Index
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