Archaeology of Performance
Theaters of Power, Community, and Politics
Herausgeber: Inomata, Takeshi; Coben, Lawrence S.
Archaeology of Performance
Theaters of Power, Community, and Politics
Herausgeber: Inomata, Takeshi; Coben, Lawrence S.
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Collection of original articles exploring theatricality in the ancient world and how it affected social life and politics.
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Collection of original articles exploring theatricality in the ancient world and how it affected social life and politics.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Altamira Press
- Seitenzahl: 348
- Erscheinungstermin: 3. März 2006
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 529g
- ISBN-13: 9780759108776
- ISBN-10: 0759108773
- Artikelnr.: 21520449
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Altamira Press
- Seitenzahl: 348
- Erscheinungstermin: 3. März 2006
- Englisch
- Abmessung: 234mm x 156mm x 19mm
- Gewicht: 529g
- ISBN-13: 9780759108776
- ISBN-10: 0759108773
- Artikelnr.: 21520449
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Edited by Takeshi Inomata and Lawrence S. Coben - Contributions by John Baines; Ian Hodder; Stephen D. Houston; Susan Kus; Jerry D. Moore; Victor Raharijaona; Adam T. Smith and Daniela Triadan
Part 1 Prologue Chapter 2 Prologue: Behind the Scenes: Producing the
Performance Part 3 Act I: Concepts and Approaches Chapter 4 Scene 1:
Overture: An Invitation to the Archaeological Theater Part 5 Act II:
Senses, Spectacle, and Performance Chapter 6 Scene 2: "The Indians Were
Much Given to Their Taquis": Drumming and Generative Categories in Ancient
Andean Funerary Processions Chapter 7 Scene 3: The Spectacle of Daily
Performance at Çatalhöyük Chapter 8 Scene 4: Representational Aesthetics
and Political Subjectivity: The Spectacular in Urartian Images of
Performance Chapter 9 Scene 5: Impersonation, Dance, and the Problem of
Spectacle among the Classic Maya Part 10 Act III: Public Performance of
Power and Community Chapter 11 Scene 6: Dancing Gods: Ritual, Performance,
and Political Organization in the Prehistoric Southwest Chapter 12 Scene 7:
Politics and Theatricality in Mayan Society Chapter 13 Scene 8: Other
Cuzcos: Replicated Theaters of Inka Power Chapter 14 Scene 9: Public
Ceremonial Performance in Ancient Egypt: Exclusion and Integration Chapter
15 Scene 10: Visible and Vocal: Sovereigns of the Early Merina (Madagascar)
State Chapter 16 Index Chapter 17 About the Contributors
Performance Part 3 Act I: Concepts and Approaches Chapter 4 Scene 1:
Overture: An Invitation to the Archaeological Theater Part 5 Act II:
Senses, Spectacle, and Performance Chapter 6 Scene 2: "The Indians Were
Much Given to Their Taquis": Drumming and Generative Categories in Ancient
Andean Funerary Processions Chapter 7 Scene 3: The Spectacle of Daily
Performance at Çatalhöyük Chapter 8 Scene 4: Representational Aesthetics
and Political Subjectivity: The Spectacular in Urartian Images of
Performance Chapter 9 Scene 5: Impersonation, Dance, and the Problem of
Spectacle among the Classic Maya Part 10 Act III: Public Performance of
Power and Community Chapter 11 Scene 6: Dancing Gods: Ritual, Performance,
and Political Organization in the Prehistoric Southwest Chapter 12 Scene 7:
Politics and Theatricality in Mayan Society Chapter 13 Scene 8: Other
Cuzcos: Replicated Theaters of Inka Power Chapter 14 Scene 9: Public
Ceremonial Performance in Ancient Egypt: Exclusion and Integration Chapter
15 Scene 10: Visible and Vocal: Sovereigns of the Early Merina (Madagascar)
State Chapter 16 Index Chapter 17 About the Contributors
Part 1 Prologue Chapter 2 Prologue: Behind the Scenes: Producing the
Performance Part 3 Act I: Concepts and Approaches Chapter 4 Scene 1:
Overture: An Invitation to the Archaeological Theater Part 5 Act II:
Senses, Spectacle, and Performance Chapter 6 Scene 2: "The Indians Were
Much Given to Their Taquis": Drumming and Generative Categories in Ancient
Andean Funerary Processions Chapter 7 Scene 3: The Spectacle of Daily
Performance at Çatalhöyük Chapter 8 Scene 4: Representational Aesthetics
and Political Subjectivity: The Spectacular in Urartian Images of
Performance Chapter 9 Scene 5: Impersonation, Dance, and the Problem of
Spectacle among the Classic Maya Part 10 Act III: Public Performance of
Power and Community Chapter 11 Scene 6: Dancing Gods: Ritual, Performance,
and Political Organization in the Prehistoric Southwest Chapter 12 Scene 7:
Politics and Theatricality in Mayan Society Chapter 13 Scene 8: Other
Cuzcos: Replicated Theaters of Inka Power Chapter 14 Scene 9: Public
Ceremonial Performance in Ancient Egypt: Exclusion and Integration Chapter
15 Scene 10: Visible and Vocal: Sovereigns of the Early Merina (Madagascar)
State Chapter 16 Index Chapter 17 About the Contributors
Performance Part 3 Act I: Concepts and Approaches Chapter 4 Scene 1:
Overture: An Invitation to the Archaeological Theater Part 5 Act II:
Senses, Spectacle, and Performance Chapter 6 Scene 2: "The Indians Were
Much Given to Their Taquis": Drumming and Generative Categories in Ancient
Andean Funerary Processions Chapter 7 Scene 3: The Spectacle of Daily
Performance at Çatalhöyük Chapter 8 Scene 4: Representational Aesthetics
and Political Subjectivity: The Spectacular in Urartian Images of
Performance Chapter 9 Scene 5: Impersonation, Dance, and the Problem of
Spectacle among the Classic Maya Part 10 Act III: Public Performance of
Power and Community Chapter 11 Scene 6: Dancing Gods: Ritual, Performance,
and Political Organization in the Prehistoric Southwest Chapter 12 Scene 7:
Politics and Theatricality in Mayan Society Chapter 13 Scene 8: Other
Cuzcos: Replicated Theaters of Inka Power Chapter 14 Scene 9: Public
Ceremonial Performance in Ancient Egypt: Exclusion and Integration Chapter
15 Scene 10: Visible and Vocal: Sovereigns of the Early Merina (Madagascar)
State Chapter 16 Index Chapter 17 About the Contributors