Introduction Part I: Section 1. 'The Shadow of their Wings': The Architect among Builders: 1. John Gwynn 2. William Chambers 3. The example of Chambers Section 2. 'The Poetry of Architecture': The Architect above Builders: 4. Joseph Gwilt 5. John Soane 6. The example of Soane Part II: Section 3. 'Mystery and Craft Are Gone By': The Poet's Descent: 7. A language of men 8. The pictorial art Section 4. 'He Never Condescended': Coming to Terms with New Disciplines: 9. Charles Barry 10. Pugin 11. A. J. Beresford Hope and the Ecclesiologists Part III: Section 5. 'Conjunctive All': The Sharing of Knowledge in Building: 12. John Britton 13. The Artizan Section 6. 'Orthodoxy of Practice': The Builder and a New Freemasonry: 14. Josiah Hansom and The Builder 15. Alfred Bartholemew, The Builder and the freemasons of the Church 16. Bartholemew's College 17. Godwin's Builder Part IV: Section 7. Ruskin's Changing Prospect: 18. Ruskin, Leeds, Lamb, and Loudon 19. The poetry of architecture 20. Modern Painters I and II 21. The Seven Lamps of Architecture Part V: Section 8. Ruskin's Descent: 22. Ruskin and Thomas Carlyle 23. The Stones of Venice: James Fergusson and E. L. Garbett 24. Ruskin in 1854 and 1855 25. Ruskin and the Pre-Raphaelites Part VI: Section 9. Incarnation: 26. Ruskin, G. G. Scott and the architectural museum 27. Ruskin, Acland, and the Oxford Museum 28. Deane and Woodward 29. Pre-Raphaelite painters and sculptors and the Oxford Museum Part VII: Section 10. Ruskin's Reception: The 1850s and 1860s: 30. John Pollard Seddon and the 'puginisation' of Ruskin 31. G. E. Street: father of the Arts and Crafts 32. E. W. Godwin - the 'art-architect' 33. The architectural museum in the late 1850s 34. The failure of the Oxford Museum 35. Ruskin's lectures to architects Part VIII. Conclusion Notes Bibliography Index.
Introduction Part I: Section 1. 'The Shadow of their Wings': The Architect among Builders: 1. John Gwynn 2. William Chambers 3. The example of Chambers Section 2. 'The Poetry of Architecture': The Architect above Builders: 4. Joseph Gwilt 5. John Soane 6. The example of Soane Part II: Section 3. 'Mystery and Craft Are Gone By': The Poet's Descent: 7. A language of men 8. The pictorial art Section 4. 'He Never Condescended': Coming to Terms with New Disciplines: 9. Charles Barry 10. Pugin 11. A. J. Beresford Hope and the Ecclesiologists Part III: Section 5. 'Conjunctive All': The Sharing of Knowledge in Building: 12. John Britton 13. The Artizan Section 6. 'Orthodoxy of Practice': The Builder and a New Freemasonry: 14. Josiah Hansom and The Builder 15. Alfred Bartholemew, The Builder and the freemasons of the Church 16. Bartholemew's College 17. Godwin's Builder Part IV: Section 7. Ruskin's Changing Prospect: 18. Ruskin, Leeds, Lamb, and Loudon 19. The poetry of architecture 20. Modern Painters I and II 21. The Seven Lamps of Architecture Part V: Section 8. Ruskin's Descent: 22. Ruskin and Thomas Carlyle 23. The Stones of Venice: James Fergusson and E. L. Garbett 24. Ruskin in 1854 and 1855 25. Ruskin and the Pre-Raphaelites Part VI: Section 9. Incarnation: 26. Ruskin, G. G. Scott and the architectural museum 27. Ruskin, Acland, and the Oxford Museum 28. Deane and Woodward 29. Pre-Raphaelite painters and sculptors and the Oxford Museum Part VII: Section 10. Ruskin's Reception: The 1850s and 1860s: 30. John Pollard Seddon and the 'puginisation' of Ruskin 31. G. E. Street: father of the Arts and Crafts 32. E. W. Godwin - the 'art-architect' 33. The architectural museum in the late 1850s 34. The failure of the Oxford Museum 35. Ruskin's lectures to architects Part VIII. Conclusion Notes Bibliography Index.
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