Approaching the past as both historian and artist, Cynthia Imogen Hammond documents how women across classes shaped the built environment of one of England's most architecturally significant cities. Architects, Angels, Activists and the City of Bath, 1765-1965: Engaging with Women's Spatial Interventions in Buildings and Landscape documents Hammond's own creative, spatial interventions in the city, through which she brings the history of women to the foreground of Bath's urban image.
Approaching the past as both historian and artist, Cynthia Imogen Hammond documents how women across classes shaped the built environment of one of England's most architecturally significant cities. Architects, Angels, Activists and the City of Bath, 1765-1965: Engaging with Women's Spatial Interventions in Buildings and Landscape documents Hammond's own creative, spatial interventions in the city, through which she brings the history of women to the foreground of Bath's urban image.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Cynthia Imogen Hammond is Associate Professor of Architectural History at Concordia University, Canada.
Inhaltsangabe
Contents: Introduction: getting to Bath Part I Architects: The winged architect and the gendering of architecture Architecture and gender in Bath, or how Selina Hastings' gothic chapel came to serve the history of Georgian Bath. Part II Angels: Falling women: the angels of Bath Abbey Whispering walls: artistic interventions as a means to trouble the architectural imaginary 'The ghost of Ladymead': the Bath Female Home and Penitentiary. Part III Activists: 'Every tree a staunch heart': the history of the Suffragettes' wood The Suffragettes' orchard: towards a description of research-creation Beyond angels, beyond architects: mapping the Suffragettes' wood Conclusion: leaving Bath - looking to the built past, on behalf of the lived future Appendix Bibliography Index.
Contents: Introduction: getting to Bath Part I Architects: The winged architect and the gendering of architecture Architecture and gender in Bath, or how Selina Hastings' gothic chapel came to serve the history of Georgian Bath. Part II Angels: Falling women: the angels of Bath Abbey Whispering walls: artistic interventions as a means to trouble the architectural imaginary 'The ghost of Ladymead': the Bath Female Home and Penitentiary. Part III Activists: 'Every tree a staunch heart': the history of the Suffragettes' wood The Suffragettes' orchard: towards a description of research-creation Beyond angels, beyond architects: mapping the Suffragettes' wood Conclusion: leaving Bath - looking to the built past, on behalf of the lived future Appendix Bibliography Index.
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