A revisionist view of Renaissance architectural design as a dialectical process engaging word and image in the creation of Raphael's masterwork.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Yvonne Elet is Associate Professor of Art History at Vassar College, New York. A specialist in Italian early modern art and architecture, her research focuses on Renaissance villa culture; integrated designs for art, architecture, and landscape; early modern stucco; and intersections among art, literature, science, and natural philosophy. Her articles appear in the Journal of the Society of Architectural Historians and I Tatti Studies in the Italian Renaissance. She has received grants from the Center for Advanced Studies in the Visual Arts, the Getty Research Institute, and the American Council of Learned Societies. She has also been a Fellow at the Metropolitan Metropolitan Museum of Art and at the Frick Collection, New York, as well as a visiting scholar at the Max-Planck-Institut für Wissenschaftsgeschichte, Berlin.
Inhaltsangabe
Preface and acknowledgements Note on translations and abbreviations Introduction. The nature of invention, in word and image 1. Reviving the corpse 2. Writing architecture 3. Sperulo's vision 4. Encomia of the unbuilt 5. Metastructures of word and image 6. Dynamic design Conclusion. Building with mortar and verse Appendices Bibliography Index.
Preface and acknowledgements Note on translations and abbreviations Introduction. The nature of invention, in word and image 1. Reviving the corpse 2. Writing architecture 3. Sperulo's vision 4. Encomia of the unbuilt 5. Metastructures of word and image 6. Dynamic design Conclusion. Building with mortar and verse Appendices Bibliography Index.
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