Rudolf Wittkower
Architectural Principles in the Age of Humanism
18,99 €
inkl. MwSt.
Versandfertig in über 4 Wochen
Rudolf Wittkower
Architectural Principles in the Age of Humanism
- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
A brief examination of the theory and practice of Renaissance architecture that draws attention to the values underlying this style
Andere Kunden interessierten sich auch für
- Rudolf WittkowerArchitectural Principles in the Age of Humanism36,99 €
- Richard Patterson (Hrsg.)The Tragic in Architecture69,99 €
- Juhani PallasmaaThe Eyes of the Skin26,97 €
- David GoslingThe Evolution of American Urban Design90,99 €
- Hanrahan + Meyers ArchitectsThe Four States of Architecture75,99 €
- Lorraine FarrellyDesigning for the Third Age43,99 €
- Nagy R. BakhoumThe Professional Practice of Architectural Working Drawings136,99 €
-
-
-
A brief examination of the theory and practice of Renaissance architecture that draws attention to the values underlying this style
Produktdetails
- Produktdetails
- Verlag: W. W. Norton & Company
- Seitenzahl: 242
- Erscheinungstermin: 1. September 1971
- Englisch
- Abmessung: 203mm x 127mm x 15mm
- Gewicht: 296g
- ISBN-13: 9780393005998
- ISBN-10: 0393005992
- Artikelnr.: 20976186
- Verlag: W. W. Norton & Company
- Seitenzahl: 242
- Erscheinungstermin: 1. September 1971
- Englisch
- Abmessung: 203mm x 127mm x 15mm
- Gewicht: 296g
- ISBN-13: 9780393005998
- ISBN-10: 0393005992
- Artikelnr.: 20976186
Rudolf Wittkower (1901-1971), a leading authority on the art and architecture of the Renaissance and Baroque periods, was born in Berlin and received his Ph.D. from the University of Berlin in 1923.
THE CENTRALLY PLANNED CHURCH AND THE RENAISSANCE. Alberti's Programme of
the Ideal Church. Centralized Churches in Later Architectural Theory.
Building Practice: S Maria delle Carceri. Bramante and Palladio. The
Religious Symbolism of Centrally Planned Churches. ALBERTI'S APPROACH TO
ANTIQUITY IN ARCHITECTURE. The Column in Alberti's Theory and Practice. S.
Francesco at Rimini. S. Maria Novella. S. Sebastiano and S. Andrea at
Mantua. The Change in Alberti's Interpretation of Classical Architecture.
PRINCIPLES OF PALLADIO'S ARCHITECTURE. The Architect as 'uomo universale':
Palladio, Trissino and Barbaro. Palladio's Geometry: The Villas. Palladio
and Classical Architecture: Palaces and Public Buildings. The Genesis of an
Idea: Palladio's Church Façades. Palladio's Optical and Psychological
Concepts: II Redentore. THE PROBLEM OF HARMONIC PROPORTION IN ARCHITECTURE.
Francesco Giorgi's Platonic Programme for S. Francesco della Vigna. The
Mean Proportionals and Architecture. Alberti's Generation of Ratios.
Musical Consonances and the Visual Arts. Palladio's 'fugal' System of
Proportion. Palladio's Ratios and the Development of Sixteenth-Century
Musical Theory. The Break-away from the Laws of Harmonic Porportion
Architecture. Appendices. Index.
the Ideal Church. Centralized Churches in Later Architectural Theory.
Building Practice: S Maria delle Carceri. Bramante and Palladio. The
Religious Symbolism of Centrally Planned Churches. ALBERTI'S APPROACH TO
ANTIQUITY IN ARCHITECTURE. The Column in Alberti's Theory and Practice. S.
Francesco at Rimini. S. Maria Novella. S. Sebastiano and S. Andrea at
Mantua. The Change in Alberti's Interpretation of Classical Architecture.
PRINCIPLES OF PALLADIO'S ARCHITECTURE. The Architect as 'uomo universale':
Palladio, Trissino and Barbaro. Palladio's Geometry: The Villas. Palladio
and Classical Architecture: Palaces and Public Buildings. The Genesis of an
Idea: Palladio's Church Façades. Palladio's Optical and Psychological
Concepts: II Redentore. THE PROBLEM OF HARMONIC PROPORTION IN ARCHITECTURE.
Francesco Giorgi's Platonic Programme for S. Francesco della Vigna. The
Mean Proportionals and Architecture. Alberti's Generation of Ratios.
Musical Consonances and the Visual Arts. Palladio's 'fugal' System of
Proportion. Palladio's Ratios and the Development of Sixteenth-Century
Musical Theory. The Break-away from the Laws of Harmonic Porportion
Architecture. Appendices. Index.
THE CENTRALLY PLANNED CHURCH AND THE RENAISSANCE. Alberti's Programme of
the Ideal Church. Centralized Churches in Later Architectural Theory.
Building Practice: S Maria delle Carceri. Bramante and Palladio. The
Religious Symbolism of Centrally Planned Churches. ALBERTI'S APPROACH TO
ANTIQUITY IN ARCHITECTURE. The Column in Alberti's Theory and Practice. S.
Francesco at Rimini. S. Maria Novella. S. Sebastiano and S. Andrea at
Mantua. The Change in Alberti's Interpretation of Classical Architecture.
PRINCIPLES OF PALLADIO'S ARCHITECTURE. The Architect as 'uomo universale':
Palladio, Trissino and Barbaro. Palladio's Geometry: The Villas. Palladio
and Classical Architecture: Palaces and Public Buildings. The Genesis of an
Idea: Palladio's Church Façades. Palladio's Optical and Psychological
Concepts: II Redentore. THE PROBLEM OF HARMONIC PROPORTION IN ARCHITECTURE.
Francesco Giorgi's Platonic Programme for S. Francesco della Vigna. The
Mean Proportionals and Architecture. Alberti's Generation of Ratios.
Musical Consonances and the Visual Arts. Palladio's 'fugal' System of
Proportion. Palladio's Ratios and the Development of Sixteenth-Century
Musical Theory. The Break-away from the Laws of Harmonic Porportion
Architecture. Appendices. Index.
the Ideal Church. Centralized Churches in Later Architectural Theory.
Building Practice: S Maria delle Carceri. Bramante and Palladio. The
Religious Symbolism of Centrally Planned Churches. ALBERTI'S APPROACH TO
ANTIQUITY IN ARCHITECTURE. The Column in Alberti's Theory and Practice. S.
Francesco at Rimini. S. Maria Novella. S. Sebastiano and S. Andrea at
Mantua. The Change in Alberti's Interpretation of Classical Architecture.
PRINCIPLES OF PALLADIO'S ARCHITECTURE. The Architect as 'uomo universale':
Palladio, Trissino and Barbaro. Palladio's Geometry: The Villas. Palladio
and Classical Architecture: Palaces and Public Buildings. The Genesis of an
Idea: Palladio's Church Façades. Palladio's Optical and Psychological
Concepts: II Redentore. THE PROBLEM OF HARMONIC PROPORTION IN ARCHITECTURE.
Francesco Giorgi's Platonic Programme for S. Francesco della Vigna. The
Mean Proportionals and Architecture. Alberti's Generation of Ratios.
Musical Consonances and the Visual Arts. Palladio's 'fugal' System of
Proportion. Palladio's Ratios and the Development of Sixteenth-Century
Musical Theory. The Break-away from the Laws of Harmonic Porportion
Architecture. Appendices. Index.