Essays centred on the methods, pleasures, and pitfalls of architectural interpretation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jill A. Franklin, T. A. Heslop, Christine Stevenson
Inhaltsangabe
Introduction T A Heslop and Christine Stevenson Believing is Seeing: the natural image in late antiquity John Mitchell Articulation as an expression of function in Romanesque architecture Malcolm Thurlby Barrel vaulted churches in late medieval Scotland Richard Fawcett Augustinian and other canons' churches in Romanesque Europe: the significance of the aisleless cruciform plan Jill A. Franklin Towers and radiating chapels in Romanesque architectural iconography Stephen Heywood Diffusion, imitation and evolution: the uncertain origins of 'beakhead' ornament Roger Stalley Architecture and pattern: the western façade of Lincoln Cathedral and Modernist reference points for its interpretation Veronica Sekules Home sweet mammoth: neuroarchaeology and the origins of architecture John Onians Constantine and Helena: the Roman in English Romanesque T A Heslop For their monuments, look about you: medieval masons and their tombs Francis Woodman Baxandall's bridge and Charles IV's Prague: an exercise in architectural intention Paul Crossley Imitation as a creative vehicle in Michelangelo's art and architecture David Hemsoll The 'façade problem' in Roman Churches c.1540 1640 Kerry Downes Innovation and traditionalism in writings on English Romanesque Richard Plant Why medieval Ireland failed to edify Jenifer Ni Ghradaigh The Chapel of the Hospital of St Jean at Angers: acta, statutes, architecture and interpretation Lindy Grant Sealed architecture: city seals, architecture and urban identity in the Northern Netherlands, 1200 1700 Elisabeth de Bievre Style and geography: struggles for identification in the later nineteenth century Stefan Muthesius The Dome of the Rock: from medieval symbol to modern propaganda Towards a cultural geography of modern memorials Andrew Shanken Bicycle sheds revisited, or: why are houses interesting? Peter Guillery
Introduction T A Heslop and Christine Stevenson Believing is Seeing: the natural image in late antiquity John Mitchell Articulation as an expression of function in Romanesque architecture Malcolm Thurlby Barrel vaulted churches in late medieval Scotland Richard Fawcett Augustinian and other canons' churches in Romanesque Europe: the significance of the aisleless cruciform plan Jill A. Franklin Towers and radiating chapels in Romanesque architectural iconography Stephen Heywood Diffusion, imitation and evolution: the uncertain origins of 'beakhead' ornament Roger Stalley Architecture and pattern: the western façade of Lincoln Cathedral and Modernist reference points for its interpretation Veronica Sekules Home sweet mammoth: neuroarchaeology and the origins of architecture John Onians Constantine and Helena: the Roman in English Romanesque T A Heslop For their monuments, look about you: medieval masons and their tombs Francis Woodman Baxandall's bridge and Charles IV's Prague: an exercise in architectural intention Paul Crossley Imitation as a creative vehicle in Michelangelo's art and architecture David Hemsoll The 'façade problem' in Roman Churches c.1540 1640 Kerry Downes Innovation and traditionalism in writings on English Romanesque Richard Plant Why medieval Ireland failed to edify Jenifer Ni Ghradaigh The Chapel of the Hospital of St Jean at Angers: acta, statutes, architecture and interpretation Lindy Grant Sealed architecture: city seals, architecture and urban identity in the Northern Netherlands, 1200 1700 Elisabeth de Bievre Style and geography: struggles for identification in the later nineteenth century Stefan Muthesius The Dome of the Rock: from medieval symbol to modern propaganda Towards a cultural geography of modern memorials Andrew Shanken Bicycle sheds revisited, or: why are houses interesting? Peter Guillery
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