Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveologyâ the reuse, recycling, appropriation, and borrowing of archival sounds and imagesâ by filmmakers provides ways to imagine the past and the future.
Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveologyâ the reuse, recycling, appropriation, and borrowing of archival sounds and imagesâ by filmmakers provides ways to imagine the past and the future.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Catherine Russell is Professor of Cinema at Concordia University and the author of The Cinema of Naruse Mikio: Women and Japanese Modernity and Experimental Ethnography: The Work of Film in the Age of Video, both also published by Duke University Press, as well as Classical Japanese Cinema Revisited.
Inhaltsangabe
Acknowledgments ix Prologue 1 1. Introduction to Archiveology 11 2. Walter Benjamin and the Language of the Moving Image Archive 35 3. The Cityscape in Pieces 55 4. Collecting Images 97 5. Phantasmagoria and Critical Cinephilia 141 6. Awakening from the Gendered Archive 184 Epilogue 218 Notes 225 Selected Filmography 245 Bibliography 247 Index 261
Acknowledgments ix Prologue 1 1. Introduction to Archiveology 11 2. Walter Benjamin and the Language of the Moving Image Archive 35 3. The Cityscape in Pieces 55 4. Collecting Images 97 5. Phantasmagoria and Critical Cinephilia 141 6. Awakening from the Gendered Archive 184 Epilogue 218 Notes 225 Selected Filmography 245 Bibliography 247 Index 261
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