Lori Merish establishes working-class women as significant actors within nineteenth-century U.S. literary culture by analyzing previously unexplored archives of working-class women's literature, showing how white, African American, and Mexican American factory workers, seamstresses, domestic workers, and prostitutes understood themselves while forging class identity.
Lori Merish establishes working-class women as significant actors within nineteenth-century U.S. literary culture by analyzing previously unexplored archives of working-class women's literature, showing how white, African American, and Mexican American factory workers, seamstresses, domestic workers, and prostitutes understood themselves while forging class identity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgments ix Introduction 1 1. Factory Fictions: Lowell Mill Women and the Romance of Labor 33 2. Factory Labor and Literary Aesthetics: The Lowell Mill Girl, Popular Fiction, and the Proletarian Grotesque 73 3. Narrating Female Dependency: The Sentimental Seamstress and the Erotics of Labor Reform 113 4. Harriet Wilson's Our Nig and the Labor of Race 153 5. Hidden Hands: E.D.E.N. Southworth and Working-Class Performance 180 6. Writing Mexicana Workers: Race, Labor, and the Western Front 219 Postscript. Looking for Antebellum Workingwomen 247 Notes 251 Works Cited 285 Index 303
Acknowledgments ix Introduction 1 1. Factory Fictions: Lowell Mill Women and the Romance of Labor 33 2. Factory Labor and Literary Aesthetics: The Lowell Mill Girl, Popular Fiction, and the Proletarian Grotesque 73 3. Narrating Female Dependency: The Sentimental Seamstress and the Erotics of Labor Reform 113 4. Harriet Wilson's Our Nig and the Labor of Race 153 5. Hidden Hands: E.D.E.N. Southworth and Working-Class Performance 180 6. Writing Mexicana Workers: Race, Labor, and the Western Front 219 Postscript. Looking for Antebellum Workingwomen 247 Notes 251 Works Cited 285 Index 303
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