Arden & d'Arcy Plays 1 - Arden, John; D'Arcy, Margaretta
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This collection brings together some of the best and most frequently performed plays by John Arden and Margaretta D'Arcy whose collaboration stems from the political years of the Sixties The Business of Good Government is a nativity play which develops a sense of a disappearing community; Ars Longa Vita Brevis is composed out of children's games and The Royal Pardon tells the story of the adventures of a group of strolling players who fall in with a deserter from the war in Flanders. Other plays in this collection such as Little Gray Home in the West and The Vandaleur's Folly arise from the…mehr

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Produktbeschreibung
This collection brings together some of the best and most frequently performed plays by John Arden and Margaretta D'Arcy whose collaboration stems from the political years of the Sixties The Business of Good Government is a nativity play which develops a sense of a disappearing community; Ars Longa Vita Brevis is composed out of children's games and The Royal Pardon tells the story of the adventures of a group of strolling players who fall in with a deserter from the war in Flanders. Other plays in this collection such as Little Gray Home in the West and The Vandaleur's Folly arise from the highly charged political arena of the 1970s in Ireland. Arden and D'Arcy have been consistently interested in using drama to extend the very boundaries of national identity and human freedom.
Autorenporträt
John Arden (1930-2012) was a British dramatist, noted for his politically challenging and linguistically rich plays in the tradition of Brecht; he has written for radio and television as well as for the stage. After 1965 he collaborated on many works with his wife, the Irish playwright Margaretta D'Arcy. Arden's first professionally produced play was a radio drama, The Life of Mars, broadcast in 1956. In the late 1950s Arden was associated with the Royal Court Theatre, where his stark anti-war play Serjeant Musgrave's Dance opened in 1959. The play was something of a commercial failure at the time, but has been frequently revived since. It was during the 1960s that Arden produced most of his major stage works; these include The Happy Haven (1960), The Workhouse Donkey (1963), which concerns municipal corruption in Arden's native Barnsley, Armstrong's Last Goodnight (1964), which drew parallels between contemporary political events in the Congo and machinations in medieval Scotland, and Left-Handed Liberty (1965). In 1972 Arden and D'Arcy had a major argument with the RSC about the staging of their Arthurian play The Island of the Mighty. The argument culminated in Arden picketing the theatre and vowing that he would not write for the British stage again. He settled in Galway, Ireland, in 1971. He was elected to Aosdána in 2011, a year before his death.