This acclaimed anthology is ideal for newcomers to aesthetics or philosophy of art and includes new sections on pornography and erotica and societies without art , as well as new essays and revised introductions throughout.
This acclaimed anthology is ideal for newcomers to aesthetics or philosophy of art and includes new sections on pornography and erotica and societies without art , as well as new essays and revised introductions throughout.
Alex Neill is a Senior Lecturer and Aaron Ridley is a Professor, both at the University of Southampton, UK.
Inhaltsangabe
Preface Acknowledgements 1. Introduction Part 1: The Art of Food? 2. Elizabeth Telfer, Food as Art 3. Carolyn Korsmeyer, The Meaning of Taste and the Taste of Meaning Part 2: The "Authentic" Performance of Music 4. Stephen Davies, Authenticity in Musical Performance 5. James O. Young, The Concept of Authentic PerformancePart 3: Fakes and Forgeries 6. Alfred Lessing, What is Wrong with a Forgery? 7. Denis Dutton, Artistic Crimes Part 4: Rock Music and Culture 8. Roger Scruton, The Decline of Musical Culture 9. Theodore Gracyk, Music's Worldly Uses, or How I Learned to Stop Worrying and to Love Led ZeppelinPart 5: Appreciation, Understanding and Nature 10. Allen Carlson, Aesthetic Appreciation of the Natural Environment 11. Noël Carroll, On Being Moved By Nature: Between Religion and Natural History 12. Malcolm Budd, Models of Nature AppreciationPart 6:Photography and Representation 13. Roger Scruton, Photography and Representation 14. Dominic Lopes, The Aesthetics of Photographic Transparency 15. Dawn M. Phillips, The Real Challenge for an Aesthetics of PhotographyPart 7: Feelings and Fictions 16. Kendall Walton, Fearing Fictionally 17. Alex Neill, Fiction and the EmotionsPart 8: Enjoying Horror 18. Noël Carroll, Why Horror? 19. Berys Gaut, The Paradox of Horror Part 9: Sentimentality 20. Anthony Savile, Sentimentality 21. Ira Newman, The Alleged Unwholesomeness of Sentimentality 22. David Pugmire, Sentimentality and TruthfulnessPart 10: Pornography and Erotica 23. Mathew Kieran, Pornographic Art 24. Jerrold Levinson, Erotic Art and Pornographic PicturesPart 11: Public Art 25. Various contributors, Transcript of a hearing to decide the future of Tilted Arc 26. Hilde Hein, What is Public Art?: Place, Time and Meaning 27. Gregg M. Horowitz, Public Art / Public Space: The Spectacle of the Tilted Arc Controversy 28. Michael Kelly, Public Art Controversy: The Serra and Lin CasesPart 12: Are There Societies Without Art? 29. Denis Dutton, 'But They Don't Have Our Concept of Art' 30. Larry Shiner, Western and Non-Western Concepts of Art
Preface Acknowledgements 1. Introduction Part 1: The Art of Food? 2. Elizabeth Telfer, Food as Art 3. Carolyn Korsmeyer, The Meaning of Taste and the Taste of Meaning Part 2: The "Authentic" Performance of Music 4. Stephen Davies, Authenticity in Musical Performance 5. James O. Young, The Concept of Authentic PerformancePart 3: Fakes and Forgeries 6. Alfred Lessing, What is Wrong with a Forgery? 7. Denis Dutton, Artistic Crimes Part 4: Rock Music and Culture 8. Roger Scruton, The Decline of Musical Culture 9. Theodore Gracyk, Music's Worldly Uses, or How I Learned to Stop Worrying and to Love Led ZeppelinPart 5: Appreciation, Understanding and Nature 10. Allen Carlson, Aesthetic Appreciation of the Natural Environment 11. Noël Carroll, On Being Moved By Nature: Between Religion and Natural History 12. Malcolm Budd, Models of Nature AppreciationPart 6:Photography and Representation 13. Roger Scruton, Photography and Representation 14. Dominic Lopes, The Aesthetics of Photographic Transparency 15. Dawn M. Phillips, The Real Challenge for an Aesthetics of PhotographyPart 7: Feelings and Fictions 16. Kendall Walton, Fearing Fictionally 17. Alex Neill, Fiction and the EmotionsPart 8: Enjoying Horror 18. Noël Carroll, Why Horror? 19. Berys Gaut, The Paradox of Horror Part 9: Sentimentality 20. Anthony Savile, Sentimentality 21. Ira Newman, The Alleged Unwholesomeness of Sentimentality 22. David Pugmire, Sentimentality and TruthfulnessPart 10: Pornography and Erotica 23. Mathew Kieran, Pornographic Art 24. Jerrold Levinson, Erotic Art and Pornographic PicturesPart 11: Public Art 25. Various contributors, Transcript of a hearing to decide the future of Tilted Arc 26. Hilde Hein, What is Public Art?: Place, Time and Meaning 27. Gregg M. Horowitz, Public Art / Public Space: The Spectacle of the Tilted Arc Controversy 28. Michael Kelly, Public Art Controversy: The Serra and Lin CasesPart 12: Are There Societies Without Art? 29. Denis Dutton, 'But They Don't Have Our Concept of Art' 30. Larry Shiner, Western and Non-Western Concepts of Art
Rezensionen
'A most valuable supplement to any philosophical aesthetics course, one that would enliven and freshen it up, partly by deftly engaging students.'The Times Higher Education Supplement
'My first choice for a core text in an undergraduate course would be Neill and Ridley. On every topic their lively collection stimulates thought.'European Journal of Philosophy
'A most valuable supplement to any philosophical aesthetics course, one that would enliven and freshen it up, partly by deftly engaging students.' The Times Higher Education Supplement
'My first choice for a core text in an undergraduate course would be Neill and Ridley. On every topic their lively collection stimulates thought.' European Journal of Philosophy
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