Argues that writers of Old Comedy belonged to recognisable political circles and used their comedy to disparage their political enemies.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Keith Sidwell is Adjunct Professor in the Department of Greek and Roman Studies, University of Calgary. He has written on Greek drama, later Greek literature - including most recently Lucian: Chattering Courtesans and Other Sardonic Sketches (2004) - and on Neo-Latin writing and is a co-author of the Reading Greek and Reading Latin series, and author of Reading Medieval Latin (1995).
Inhaltsangabe
Part I. Setting the Stage: 1. Getting to grips with the politics of Old Comedy 2. Metacomedy and politics 3. Metacomedy and caricature Part II. The Poets' War: 4. Acharnians 5. Metacomedy, caricature and politics from Knights to Peace 6. Metacomedy, caricature and politics from Autolycus to Frogs Conclusions and consequences: Appendix 1. The view from the Theatron Appendix 2. Metacomedy and caricature in the surviving fourth century plays of Aristophanes Appendix 3. Timeline and proposed relationships between comedies Bibliography.
Part I. Setting the Stage: 1. Getting to grips with the politics of Old Comedy 2. Metacomedy and politics 3. Metacomedy and caricature Part II. The Poets' War: 4. Acharnians 5. Metacomedy, caricature and politics from Knights to Peace 6. Metacomedy, caricature and politics from Autolycus to Frogs Conclusions and consequences: Appendix 1. The view from the Theatron Appendix 2. Metacomedy and caricature in the surviving fourth century plays of Aristophanes Appendix 3. Timeline and proposed relationships between comedies Bibliography.
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