In war films, the portrayal of deep friendships between men is commonplace. Given the sexually anxious nature of the American imagination, such bonds are often interpreted as carrying a homoerotic subtext. In Armed Forces , Robert Eberwein argues that an expanded conception of masculinity and sexuality is necessary in order to understand more fully the intricacy of these intense and emotional human relationships.
In war films, the portrayal of deep friendships between men is commonplace. Given the sexually anxious nature of the American imagination, such bonds are often interpreted as carrying a homoerotic subtext. In Armed Forces , Robert Eberwein argues that an expanded conception of masculinity and sexuality is necessary in order to understand more fully the intricacy of these intense and emotional human relationships.
Robert Eberwein is Distinguished Professor English at Oakland University, Rochester, Michigan, and the editor of The War Film (Rutgers University Press).
Inhaltsangabe
Contents Acknowledgments Introduction 1 Paradigms of the Silent Era 2 Beyond Triangles 3 Disavowing Threats 4 Wounds 5 Drag 6 "Don't Ask, Don't Tell" 7 Bodies, Weapons 8 Fathers and Sons Conclusion: Buddies Then and Now Notes Selected Bibliography Index
Contents Acknowledgments Introduction 1 Paradigms of the Silent Era 2 Beyond Triangles 3 Disavowing Threats 4 Wounds 5 Drag 6 "Don't Ask, Don't Tell" 7 Bodies, Weapons 8 Fathers and Sons Conclusion: Buddies Then and Now Notes Selected Bibliography Index
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