In this work, eight of Komitas Vardapet's principle musicological studies are reproduced. The papers on folk music describe Armenian folk/country music and dances with the important plough song of Lori. The papers on sacred music discuss the liturgy and tunes sung in the Armenian church. First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
In this work, eight of Komitas Vardapet's principle musicological studies are reproduced. The papers on folk music describe Armenian folk/country music and dances with the important plough song of Lori. The papers on sacred music discuss the liturgy and tunes sung in the Armenian church.First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Komitas Vardapet Komitas, Vrej N Nersessian, Vrej N. Nersessian
Inhaltsangabe
Chapter 1 *This article appeared in the journal Anahit (Paris 1907) pp. 70-73 & 197-130; and also in Le Mercure Musical (Paris 1907) pp. 472-488. ?. T'erlemezyan Hodvatsner pp. 15-44; Abel Oghlougian Grakan Nshkhark' pp. 145-170; Chapter 2 *The study first appeared in Zeitschrift jür armenische Philologie (Marburg 1 1901) pp. 87-96. In 1908 Ghorghanian published a translation in his Kavkazskaya Musika pp. 47- 50. The first Armenian translation appeared in the journal T'atron ew Erazhshtout'iwn 5-6 1910 pp. 51-52 and then again as a monograph in Baku in 1910. R. T'erlemezyan Hodvatsner pp. 51-62; Abel Oghlougian Grakan Nshkhark' pp. 171-180; Chapter 3 *Published in Nawasard (Constantinople 1914) pp. 312-336; ?. T'erlemezyan Hodvatsner pp. 68-101; Abel Oghlougian Grakan Nshkhark' pp. 181-210; Chapter 4 *First published in Ararat (Etchmiadzin) 1894 July pp. 222-227; August pp. 256- 260. Reprinted in R. T'erlemezyan Hodvatsner pp. 105-125; Abel Oghlougian Grakan Nshkhark pp 71-86; Chapter 5 *First published in Ararat (Etchmiadzin) 1898 pp. 111-117; ?. T'erlemezyan Hodvatsner pp. 137-152; Abel Oghlougian Grakan Nshkhark' pp. 98-110. M. Ekmalian Gr. Meghvinian; Chapter 6 *The German original appeared in Sammelbände der Internationalen Musikgesellschaft ed. Oskar Fleischer & Johannes Wolf 1 (1899-1900) pp. 54-64. It was translated into Armenian by Hakob Harut'yunyan. An abridged version was published by Ghorghanyan in Kavkazakaya Muzika without the author's identity. Retranslated into Armenian by Psak Vardapet T'umayian and published in Sion (April 1936) pp. 118-126. R. T'erlemezyan Hodvatsner pp. 153-165; Abel Oghlougian Grakan Nshkhark' pp. 115-125; Chapter 7 *Komitas wrote this article in Etchmiadzin on March 15 th 1910 and was first published in the journal Tachar 10 (Constantinople 1914) p. 311; ?. T'erlemezyan Hodvatsner pp. 166-167; Abel Oghlougian Grakan Nshkhark' pp. 126-127; Chapter 8 1First published in Ararat (Etchmiadzin) 1900 pp. 367-68. L. Eghiazarian; Chapter 9 *This unfinished study of Komitas was published in Ararat (Etchmiadzin) 1897 pp. 221-225. Reprinted in R. T'erlemezyan Hodvadsner pp. 126-136; Abel Oghlougian Grakan Nshkhark' pp. 89-97. An important feature of the study is the comparative table of Eastern and Western semi-tonal scale which Komitas provides;
Chapter 1 *This article appeared in the journal Anahit (Paris 1907) pp. 70-73 & 197-130; and also in Le Mercure Musical (Paris 1907) pp. 472-488. ?. T'erlemezyan Hodvatsner pp. 15-44; Abel Oghlougian Grakan Nshkhark' pp. 145-170; Chapter 2 *The study first appeared in Zeitschrift jür armenische Philologie (Marburg 1 1901) pp. 87-96. In 1908 Ghorghanian published a translation in his Kavkazskaya Musika pp. 47- 50. The first Armenian translation appeared in the journal T'atron ew Erazhshtout'iwn 5-6 1910 pp. 51-52 and then again as a monograph in Baku in 1910. R. T'erlemezyan Hodvatsner pp. 51-62; Abel Oghlougian Grakan Nshkhark' pp. 171-180; Chapter 3 *Published in Nawasard (Constantinople 1914) pp. 312-336; ?. T'erlemezyan Hodvatsner pp. 68-101; Abel Oghlougian Grakan Nshkhark' pp. 181-210; Chapter 4 *First published in Ararat (Etchmiadzin) 1894 July pp. 222-227; August pp. 256- 260. Reprinted in R. T'erlemezyan Hodvatsner pp. 105-125; Abel Oghlougian Grakan Nshkhark pp 71-86; Chapter 5 *First published in Ararat (Etchmiadzin) 1898 pp. 111-117; ?. T'erlemezyan Hodvatsner pp. 137-152; Abel Oghlougian Grakan Nshkhark' pp. 98-110. M. Ekmalian Gr. Meghvinian; Chapter 6 *The German original appeared in Sammelbände der Internationalen Musikgesellschaft ed. Oskar Fleischer & Johannes Wolf 1 (1899-1900) pp. 54-64. It was translated into Armenian by Hakob Harut'yunyan. An abridged version was published by Ghorghanyan in Kavkazakaya Muzika without the author's identity. Retranslated into Armenian by Psak Vardapet T'umayian and published in Sion (April 1936) pp. 118-126. R. T'erlemezyan Hodvatsner pp. 153-165; Abel Oghlougian Grakan Nshkhark' pp. 115-125; Chapter 7 *Komitas wrote this article in Etchmiadzin on March 15 th 1910 and was first published in the journal Tachar 10 (Constantinople 1914) p. 311; ?. T'erlemezyan Hodvatsner pp. 166-167; Abel Oghlougian Grakan Nshkhark' pp. 126-127; Chapter 8 1First published in Ararat (Etchmiadzin) 1900 pp. 367-68. L. Eghiazarian; Chapter 9 *This unfinished study of Komitas was published in Ararat (Etchmiadzin) 1897 pp. 221-225. Reprinted in R. T'erlemezyan Hodvadsner pp. 126-136; Abel Oghlougian Grakan Nshkhark' pp. 89-97. An important feature of the study is the comparative table of Eastern and Western semi-tonal scale which Komitas provides;
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