Arms and the Man - Shaw, George Bernard
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Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - To the irreverent - and which of us will claim entire exemption from that comfortable classification? - there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw. He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox). Indeed he knows no more about the dramatic art…mehr

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Produktbeschreibung
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - To the irreverent - and which of us will claim entire exemption from that comfortable classification? - there is something very amusing in the attitude of the orthodox criticism toward Bernard Shaw. He so obviously disregards all the canons and unities and other things which every well-bred dramatist is bound to respect that his work is really unworthy of serious criticism (orthodox). Indeed he knows no more about the dramatic art than, according to his own story in "The Man of Destiny," Napoleon at Tavazzano knew of the Art of War. But both men were successes each in his way - the latter won victories and the former gained audiences, in the very teeth of the accepted theories of war and the theatre. Shaw does not know that it is unpardonable sin to have his characters make long speeches at one another, apparently thinking that this embargo applies only to long speeches which consist mainly of bombast and rhetoric. There never was an author who showed less predilection for a specific medium by which to accomplish his results. He recognized, early in his days, many things awry in the world and he assumed the task of mundane reformation with a confident spirit. It seems such a small job at twenty to set the times aright. He began as an Essayist, but who reads essays now-a-days? - he then turned novelist with no better success, for no one would read such preposterous stuff as he chose to emit. He only succeeded in proving that absolutely rational men and women - although he has created few of the latter - can be most extremely disagreeable to our conventional way of thinking.
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Autorenporträt
George Bernard Shaw (1856-1950) was an Irish playwright, critic, and polemicist renowned for his wit, social criticism, and contributions to modern drama. Born on July 26, 1856, in Dublin, Ireland, Shaw became one of the most influential figures in English literature and theatre. Shaw's career as a playwright took off with the success of his early plays. Some of his most notable works include: "Mrs. Warren's Profession" (1893): A play that explores social issues and gender inequality through the story of a woman who runs a brothel. The play faced censorship due to its controversial themes but remains a significant work in Shaw's oeuvre. "Pygmalion" (1912): One of Shaw's most famous plays, it tells the story of Eliza Doolittle, a flower girl who undergoes a transformation through the influence of a linguistics professor. The play explores themes of class, identity, and social mobility and was later adapted into the successful musical "My Fair Lady". "Saint Joan" (1923): A historical play about Joan of Arc that examines themes of individualism, heroism, and the conflict between personal belief and societal norms. "Arms and the Man" (1894): A comedy that satirizes romantic notions of war and heroism, offering a critical and humorous perspective on military conflicts. Shaw was awarded the Nobel Prize in Literature in 1925 in recognition of his contributions to literature. His influence extends beyond the stage, as his writings have shaped discussions on social and political issues and inspired numerous adaptations and reinterpretations of his work.