Art, Aesthetics, and the Brain
Herausgeber: Huston, Joseph P; Conde, Camilo Jose Cela; Agnati, Luigi F; Mora, Francisco; Nadal, Marcos
Art, Aesthetics, and the Brain
Herausgeber: Huston, Joseph P; Conde, Camilo Jose Cela; Agnati, Luigi F; Mora, Francisco; Nadal, Marcos
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What neural processes underlie the appreciation of painting, music, and dance? How did such processes evolve? This book brings together experts in genetics, psychology, neuroimaging, neuropsychology, art history, and philosophy to explore these questions. It sets the stage for a cognitive neuroscience of art and aesthetics.
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What neural processes underlie the appreciation of painting, music, and dance? How did such processes evolve? This book brings together experts in genetics, psychology, neuroimaging, neuropsychology, art history, and philosophy to explore these questions. It sets the stage for a cognitive neuroscience of art and aesthetics.
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Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 576
- Erscheinungstermin: 1. September 2015
- Englisch
- Abmessung: 234mm x 157mm x 25mm
- Gewicht: 635g
- ISBN-13: 9780199670000
- ISBN-10: 0199670005
- Artikelnr.: 47866966
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Oxford University Press
- Seitenzahl: 576
- Erscheinungstermin: 1. September 2015
- Englisch
- Abmessung: 234mm x 157mm x 25mm
- Gewicht: 635g
- ISBN-13: 9780199670000
- ISBN-10: 0199670005
- Artikelnr.: 47866966
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Joseph P. Huston is Professor of Physiological Psychology at the University of Düsseldorf, Germany. He obtained his PhD in Experimental Psychology at Tufts University, Boston. Was National Academy of Sciences - Czechoslovak Academy of Sciences exchange scientist at the Institute of Physiology in Prague, then at the Institute of Pharmacology, University of Zürich. He has published more than 400 books and scientific articles in areas of behavioral neurosciences with focus on brain mechanisms of addiction, memory and reward animal models of neuropsychiatric and degenerative diseases. He is chief editor of the journals Behavioural Brain Research (Elsevier) and Reviews in the Neurosciences (Degruyter) and the book series Handbook of Behavioral Neuroscience (Elsevier). Marcos Nadal obtained his degree in Psychology at the University of the Balearic Islands, and his PhD in Humanities and Social Sciences (Human Cognition and Evolution Program) (2007). He has been employed at the Department of Psychology of the University of the Balearic Islands since 2004, and occupied a lecturing position from 2010 to 2012. Since then he has been Assistant Professor at the Department of Basic Psychological Research and Research Methods of the University of Vienna. Since their creation in 2001 he has been a member of the Laboratory of Human Systematics and the Human Evolution and Cognition research group. The main objective of that group was the advancement of our understanding of distinctively human cognitive traits. Marcos Nadal's main research has centered on the evolution, the neural correlates and function of cognitive and affective processes involved in aesthetic preference and art appreciation, as well as moral judgment and metaphoric language. Francisco Mora is Doctor of Medicine (1972, University of Granada, Spain) and Doctor of Philosophy (Neuroscience) (1977, University of Oxford, UK). He is professor of Human Physiology at the Faculty of Medicine, University Complutense of Madrid, Spain and adjunct professor at the Department of Molecular Physiology and Biophysics, Carver College of Medicine, University of Iowa, USA. He has written numerous articles for scientific journals including Science and Nature and several books among them The hot brain, MIT Press (2000) Neurocultura, Alianza Editorial (2007) and Neuroeducación, Alianza Editorial (2013). He has received a Helen C. Levitt Professorship Award of the University of Iowa, USA in 2011. He is currently a member of the "Common Room " of the Wolfson College, University of Oxford (2009- ). His field of research is related to the Neurobiological Basis of Aging. Luigi F. Agnati is Professor of Human Physiology at University of Modena, Italy. He currently holds degrees in Medicine, Pharmacy, and Statistics as well as post-graduate specializations in Electronic Calculus (CNUCE, Pisa, Italy), Clinical Neurology (University of Bologna, Italy) and an honoris causa degree from the Karolinska Institutet, Sweden. Luigi F. Agnati has published more than 620 papers in refereed international journals and seven textbooks. He has been a member of the Italian Society of Physiology, Italian Society of Pharmacology, Italian Society of Endocrinology, Italian Society of Neuroscience, Italian Association for the study of pain, European Society of Neuroscience, and European Society of Neuroendocrinology. Camilo Cela-Conde is professor of Anthropology at the University of Balearic Islands, Spain. He received his PhD in philosophy from the Barcelona University, Spain. He has been visiting professor at the University of California, Davis, USA, Universidad Autonoma Metropolitana, Iztapalapa, Mexico, Amazonica University, Belem, Brazil, and Universidad de Bogota, Colombia. He is Fellow of the American Association for the Advancement of Science (AAAS), Section of Biology, USA, Elected in November, 1999, and member of the Center for Academic Research and Teaching in Anthropogeny, Salk Institute and University of California, San Diego, USA, elected in March, 2008. His publications include On Genes, Gods and Tyrants, Springer, Dordrecht, The Netherlands (1989), and Human Evolution. Trails from the Past, New York, Oxford University Press (2007). He is director of the Laboratory of Human Systematics, University of the Balearic Islands, Spain.
* Section One: Foundational Issues
* 1: Francisco Mora: Neuroculture: A new cultural revolution?
* 2: William P. Seeley: Art, meaning, and aesthetics: the case for a
cognitive neuroscience of art
* 3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts:
Three Psychological Challenges for the Neuroscience of Aesthetics
* 4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic
appreciation - convergence from experimental aesthetics and
physiology
* 5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the
Beholder. Eye-Tracking and the Perception of Paintings
* Section Two: Cognitive Neuroscience of Visual Aesthetics and Art
* 6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating
the Attractiveness of Faces
* 7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the
Human Brain
* 8: Ulrich Kirk and David Freedberg: Contextual bias and insulation
against bias during esthetic rating: the implication of VMPFC and
DLPFC in neural valuation
* 9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products
* Section Three: Cognitive Neuroscience of Dance
* 10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic
preference by personal experience
* 11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates
of aesthetic perception of dance
* 12: Julia F. Christensen and Corinne Jola: Moving towards ecological
validity in empirical aesthetics
* Section Four: Cognitive Neuroscience of Music
* 13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music:
Genres, contextual factors, and individual differences
* 14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a
key element of aesthetic experience: psychological principles and
underlying brain mechanisms
* 15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and
Top-down Neural Routes to the Aesthetic Enjoyment of Music
* 16: Marcus T. Pearce: Effects of expertise on the cognitive and
neural processes involved in musical appreciation
* Section Five: Neuropsychology of Art and Aesthetics
* 17: Anjan Chatterjee: The Neuropsychology of Visual Art
* 18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting
of Dementia
* 19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics
* Section Six: The Evolution of Art, Aesthetics, and the Brain
* 20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a
comparative approach to empirical aesthetics
* 21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain
Coevolution
* 22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human
"instinct-like " behaviour emerging from the exaptation of the
communication processes
* Section Seven: Integrative Approaches
* 23: Edmund T. Rolls: Neurobiological foundations of art and
aesthetics
* 24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of
art: a formal approach
* 25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and
Playing with Time
* 1: Francisco Mora: Neuroculture: A new cultural revolution?
* 2: William P. Seeley: Art, meaning, and aesthetics: the case for a
cognitive neuroscience of art
* 3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts:
Three Psychological Challenges for the Neuroscience of Aesthetics
* 4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic
appreciation - convergence from experimental aesthetics and
physiology
* 5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the
Beholder. Eye-Tracking and the Perception of Paintings
* Section Two: Cognitive Neuroscience of Visual Aesthetics and Art
* 6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating
the Attractiveness of Faces
* 7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the
Human Brain
* 8: Ulrich Kirk and David Freedberg: Contextual bias and insulation
against bias during esthetic rating: the implication of VMPFC and
DLPFC in neural valuation
* 9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products
* Section Three: Cognitive Neuroscience of Dance
* 10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic
preference by personal experience
* 11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates
of aesthetic perception of dance
* 12: Julia F. Christensen and Corinne Jola: Moving towards ecological
validity in empirical aesthetics
* Section Four: Cognitive Neuroscience of Music
* 13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music:
Genres, contextual factors, and individual differences
* 14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a
key element of aesthetic experience: psychological principles and
underlying brain mechanisms
* 15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and
Top-down Neural Routes to the Aesthetic Enjoyment of Music
* 16: Marcus T. Pearce: Effects of expertise on the cognitive and
neural processes involved in musical appreciation
* Section Five: Neuropsychology of Art and Aesthetics
* 17: Anjan Chatterjee: The Neuropsychology of Visual Art
* 18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting
of Dementia
* 19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics
* Section Six: The Evolution of Art, Aesthetics, and the Brain
* 20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a
comparative approach to empirical aesthetics
* 21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain
Coevolution
* 22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human
"instinct-like " behaviour emerging from the exaptation of the
communication processes
* Section Seven: Integrative Approaches
* 23: Edmund T. Rolls: Neurobiological foundations of art and
aesthetics
* 24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of
art: a formal approach
* 25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and
Playing with Time
* Section One: Foundational Issues
* 1: Francisco Mora: Neuroculture: A new cultural revolution?
* 2: William P. Seeley: Art, meaning, and aesthetics: the case for a
cognitive neuroscience of art
* 3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts:
Three Psychological Challenges for the Neuroscience of Aesthetics
* 4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic
appreciation - convergence from experimental aesthetics and
physiology
* 5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the
Beholder. Eye-Tracking and the Perception of Paintings
* Section Two: Cognitive Neuroscience of Visual Aesthetics and Art
* 6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating
the Attractiveness of Faces
* 7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the
Human Brain
* 8: Ulrich Kirk and David Freedberg: Contextual bias and insulation
against bias during esthetic rating: the implication of VMPFC and
DLPFC in neural valuation
* 9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products
* Section Three: Cognitive Neuroscience of Dance
* 10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic
preference by personal experience
* 11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates
of aesthetic perception of dance
* 12: Julia F. Christensen and Corinne Jola: Moving towards ecological
validity in empirical aesthetics
* Section Four: Cognitive Neuroscience of Music
* 13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music:
Genres, contextual factors, and individual differences
* 14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a
key element of aesthetic experience: psychological principles and
underlying brain mechanisms
* 15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and
Top-down Neural Routes to the Aesthetic Enjoyment of Music
* 16: Marcus T. Pearce: Effects of expertise on the cognitive and
neural processes involved in musical appreciation
* Section Five: Neuropsychology of Art and Aesthetics
* 17: Anjan Chatterjee: The Neuropsychology of Visual Art
* 18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting
of Dementia
* 19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics
* Section Six: The Evolution of Art, Aesthetics, and the Brain
* 20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a
comparative approach to empirical aesthetics
* 21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain
Coevolution
* 22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human
"instinct-like " behaviour emerging from the exaptation of the
communication processes
* Section Seven: Integrative Approaches
* 23: Edmund T. Rolls: Neurobiological foundations of art and
aesthetics
* 24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of
art: a formal approach
* 25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and
Playing with Time
* 1: Francisco Mora: Neuroculture: A new cultural revolution?
* 2: William P. Seeley: Art, meaning, and aesthetics: the case for a
cognitive neuroscience of art
* 3: Kirill Fayn and Paul J. Silvia: States, People, and Contexts:
Three Psychological Challenges for the Neuroscience of Aesthetics
* 4: Helmut Leder, Gernot Gerger and David Brieber: Aesthetic
appreciation - convergence from experimental aesthetics and
physiology
* 5: Christoph Klein and Raphael Rosenberg: The Moving Eye of the
Beholder. Eye-Tracking and the Perception of Paintings
* Section Two: Cognitive Neuroscience of Visual Aesthetics and Art
* 6: Spas Getov and Joel S. Winston: Neural Mechanisms for Evaluating
the Attractiveness of Faces
* 7: Robert Pepperell and Alumit Ishai: Indeterminate Art Works and the
Human Brain
* 8: Ulrich Kirk and David Freedberg: Contextual bias and insulation
against bias during esthetic rating: the implication of VMPFC and
DLPFC in neural valuation
* 9: Oshin Vartanian: Neuroimaging Studies of Making Aesthetic Products
* Section Three: Cognitive Neuroscience of Dance
* 10: Emily S. Cross: Beautiful embodiment: The shaping of aesthetic
preference by personal experience
* 11: Beatriz Calvo-Merino: Sensorimotor aesthetics: Neural correlates
of aesthetic perception of dance
* 12: Julia F. Christensen and Corinne Jola: Moving towards ecological
validity in empirical aesthetics
* Section Four: Cognitive Neuroscience of Music
* 13: Kathleen A. Corrigall and E. Glenn Schellenberg: Liking music:
Genres, contextual factors, and individual differences
* 14: Moritz Lehne and Stefan Koelsch: Tension-resolution patterns as a
key element of aesthetic experience: psychological principles and
underlying brain mechanisms
* 15: Elvira Brattico: From Pleasure to Liking and Back: Bottom-up and
Top-down Neural Routes to the Aesthetic Enjoyment of Music
* 16: Marcus T. Pearce: Effects of expertise on the cognitive and
neural processes involved in musical appreciation
* Section Five: Neuropsychology of Art and Aesthetics
* 17: Anjan Chatterjee: The Neuropsychology of Visual Art
* 18: Indre Viskontas and Suzee Lee: The Creation of Art in the Setting
of Dementia
* 19: Dahlia W. Zaidel: Hemispheric Specialization, Art, and Aesthetics
* Section Six: The Evolution of Art, Aesthetics, and the Brain
* 20: Gesche Westphal-Fitch and W. Tecumseh Fitch: Towards a
comparative approach to empirical aesthetics
* 21: Camilo J. Cela-Conde and Francisco Ayala: Art and Brain
Coevolution
* 22: Luigi F. Agnati, Diego Guidolin, and Kjell Fuxe: Art as a human
"instinct-like " behaviour emerging from the exaptation of the
communication processes
* Section Seven: Integrative Approaches
* 23: Edmund T. Rolls: Neurobiological foundations of art and
aesthetics
* 24: Alexander J. Huston and Joseph P. Huston: Aesthetic evaluation of
art: a formal approach
* 25: Barbara G. Goodrich: Tempos of Eternity: Music, Volition, and
Playing with Time