59,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in über 4 Wochen
payback
30 °P sammeln
  • Gebundenes Buch

Since Napoleon's invasion of Egypt in 1798, the western traveller has been obsessed with the Pharaohs and Egypt's ancient past. Her Islamic culture has been largely ignored, and the pyramids have been allowed to cast a long shadow over the visual culture of Islamic Cairo, obscuring a magnificent art and architectural heritage that has lasted over a thousand years, from the building of the Mosque of Amr in the 7th century to that of Muhammad Ali in the 19th century. Cairo is full of masterpieces of medieval art and architecture, reflecting the status of Egypt as the center of several…mehr

Produktbeschreibung
Since Napoleon's invasion of Egypt in 1798, the western traveller has been obsessed with the Pharaohs and Egypt's ancient past. Her Islamic culture has been largely ignored, and the pyramids have been allowed to cast a long shadow over the visual culture of Islamic Cairo, obscuring a magnificent art and architectural heritage that has lasted over a thousand years, from the building of the Mosque of Amr in the 7th century to that of Muhammad Ali in the 19th century. Cairo is full of masterpieces of medieval art and architecture, reflecting the status of Egypt as the center of several significant Muslim empires. This book redresses the cultural balance and examines the art and architectural treasures of Cairo from the Arab to the Ottoman conquests (642-1517). Set within an historical narrative, the stylistic development of the visual arts is explained within changing religious, social, and political contexts. Examples of the decorative artsceramics, glass, woodwork, metalwork, textiles,
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Richard Yeomans is an independent scholar who was formerly a Senior Lecturer at the Institute of Education, University of Warwick, where he was the Co-ordinator for Art and Design. The author of The Story of Islamic Architecture, he is also a painter who has regularly exhibited his work in solo and mixed exhibitions in London, the Midlands and abroad. The Islamic architecture of Egypt has been the subject of his painting for over twenty years and this book springs from that intimate visual knowledge and experience.