This edited volume explores the notion of "artifice" in modern visual culture, ranging from the eighteenth century to the present, in countries around the globe.
This edited volume explores the notion of "artifice" in modern visual culture, ranging from the eighteenth century to the present, in countries around the globe.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sonia Coman, Ph.D. is a Contributor and Consultant at Smarthistory and Director of Digital Engagement at Washington National Cathedral. Vasile-Ovidiu Prejmerean is a Ph.D. Candidate at Université de Fribourg, Switzerland. Michael Yonan is a Professor of Art History and Alan Templeton Endowed Chair in the History of European Art, 1600-1830, at the University of California, Davis.
Inhaltsangabe
Part 1 Artifice and Spectatorship 1. Fractured Perception: Drawings, Prints, and Verres Casses 2. Rococo Aesthetics and the Problem of Trompe l'Oeil 3. Degas's "Histories" and the Foreshadowing Artifice of Self-Candaulism Part 2 Haptic Illusions 4. Suggestive Surfaces: The Self-Referential Texture of Woodgrain in Japanese Woodblock Prints 5. Reconsidering the Origins of Yongzheng Guwantu: From the Aniconic Period to Vimalak rtinirde a S tra 6. Fooling Art History: John F. Peto and William Harnett Part 3 Alternative Realities 7. First Nations' Wampum Belts: A Colonial Vision of Artifice in Eighteenth-Century New France 8. "An Opportunity to Grapple with the Picture Plane...": The Stereo-Illusion's History of Frustration 9. Self-Reference and Medium-Reference in Virtual Reality and Trompe l'Oeil
Part 1 Artifice and Spectatorship 1. Fractured Perception: Drawings, Prints, and Verres Casses 2. Rococo Aesthetics and the Problem of Trompe l'Oeil 3. Degas's "Histories" and the Foreshadowing Artifice of Self-Candaulism Part 2 Haptic Illusions 4. Suggestive Surfaces: The Self-Referential Texture of Woodgrain in Japanese Woodblock Prints 5. Reconsidering the Origins of Yongzheng Guwantu: From the Aniconic Period to Vimalak rtinirde a S tra 6. Fooling Art History: John F. Peto and William Harnett Part 3 Alternative Realities 7. First Nations' Wampum Belts: A Colonial Vision of Artifice in Eighteenth-Century New France 8. "An Opportunity to Grapple with the Picture Plane...": The Stereo-Illusion's History of Frustration 9. Self-Reference and Medium-Reference in Virtual Reality and Trompe l'Oeil
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