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Exploring the intersection between art and political ideology, this study of art in Henrician England focuses on the ways in which Henry VIII and his advisers exploited visual images in order to communicate ideas to his subjects. It analyzes works such as water triumphs, coronation pageants and funeral processions, coins, and portrait miniatures.
Through in-depth analysis of a wide variety of works of art, including portraits, pageants, and prints, Tatiana String analyzes Henry VIII's use of art to communicate with his subjects. Looking at Henrician England as a case study, String enriches our understanding of the fundamental contribution of imagery to communication, and provides a model for the study of the dissemination of ideas and the patron-artist relationship in other courts and historical periods.
Through in-depth analysis of a wide variety of works of art, including portraits, pageants, and prints, Tatiana String analyzes Henry VIII's use of art to communicate with his subjects. Looking at Henrician England as a case study, String enriches our understanding of the fundamental contribution of imagery to communication, and provides a model for the study of the dissemination of ideas and the patron-artist relationship in other courts and historical periods.