Although art always takes place in time, its manifestations - actual works of art - can be characterized by the specific and close connection they maintain between contemporaneity and timelessness. Their relation to time must be differentiated in a twofold manner: on the one hand, there is the relation to the time in which they are embedded, and, on the other, the relation to the time that they themselves create. In particular historical conditions a specific temporality of the artwork emerges. Both temporalities are superimposed on by one another, namely as a timelessness of artworks as such.…mehr
Although art always takes place in time, its manifestations - actual works of art - can be characterized by the specific and close connection they maintain between contemporaneity and timelessness. Their relation to time must be differentiated in a twofold manner: on the one hand, there is the relation to the time in which they are embedded, and, on the other, the relation to the time that they themselves create. In particular historical conditions a specific temporality of the artwork emerges. Both temporalities are superimposed on by one another, namely as a timelessness of artworks as such. The book assembles a variety of thinkers that confront one of the most crucial questions when dealing with the very definition, concept and operativity of art: How to link art to the concept of the contemporary? Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Frank Ruda ist Professor of Modern and Contemporary Philosophy an der University of Dundee, UK. Er ist Herausgeber von der Zeitschrift »Crisis and Critique« und seine letzten Veröffentlichungen beinhalten Reading Hegel (mit Slavoj Zizek und Agon Hamza) und Indifference and Repetition. Modern Freedom and its Discontents.
Jan Völker ist wissenschaftlicher Mitarbeiter im Sonderforschungsbereich 626 »Ästhetische Erfahrung im Zeichen der Entgrenzung der Künste« der Freien Universität Berlin. Seine Forschungs- und Publikationsschwerpunkte umfassen die Ästhetik Kants, neuere politische Philosophie und das Verhältnis von Kunst und Politik. Er ist außerdem Mitherausgeber der Reihe morale provisoire beim Berliner Merve-Verlag und Übersetzer von Schriften von Alain Badiou und Jacques Rancière.
Inhaltsangabe
7 - 8 Preface (Frank Ruda, Jan Völker)9 - 22 For and Against the Contemporary (Alexander García Düttmann)23 - 44 »No, Nobody Could Ever Call Me His Contemporary« (Judith Balso)45 - 58 What is Contemporaneity in Theater? (Oliver Feltham)59 - 76 We Are All Hot Girls in a Mental Asylum (Frank Ruda)77 - 90 Fire Walk with Me (Mark Potocnik)91 - 106 The Urinal and the Syncope (Barbara Formis)107 - 126 The Exhaustion of the Critical Form as Aesthetic Value (Vladimir Safatle)127 - 144 Benjamin and Adorno on Art as Critical Practice (Georg W. Bertram)145 - 162 To end the End (Jan Völker)163 - 174 Art and Mathematics (Alain Badiou)175 - 176 Contributors
7 - 8 Preface (Frank Ruda, Jan Völker)9 - 22 For and Against the Contemporary (Alexander García Düttmann)23 - 44 »No, Nobody Could Ever Call Me His Contemporary« (Judith Balso)45 - 58 What is Contemporaneity in Theater? (Oliver Feltham)59 - 76 We Are All Hot Girls in a Mental Asylum (Frank Ruda)77 - 90 Fire Walk with Me (Mark Potocnik)91 - 106 The Urinal and the Syncope (Barbara Formis)107 - 126 The Exhaustion of the Critical Form as Aesthetic Value (Vladimir Safatle)127 - 144 Benjamin and Adorno on Art as Critical Practice (Georg W. Bertram)145 - 162 To end the End (Jan Völker)163 - 174 Art and Mathematics (Alain Badiou)175 - 176 Contributors
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497