A comprehensive and lavishly illustrated exploration of the relationship between art and homosexuality. This is the first book of its kind, a provocative, globe-spanning narrative history that considers the fascinating reciprocity between gay sexuality and art from the ancient world to today.
A comprehensive and lavishly illustrated exploration of the relationship between art and homosexuality. This is the first book of its kind, a provocative, globe-spanning narrative history that considers the fascinating reciprocity between gay sexuality and art from the ancient world to today.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Christopher Reed is Associate Professor of English and Visual Culture at Pennsylvania State University. His previous books include Not at Home: The Suppression of Domesticity in Modern Art and Architecture and Bloomsbury Rooms: Modernism, Subculture, and Domesticity, winner of a 2005 Historians of British Art prize.
Inhaltsangabe
* 1: VARIETIES OF 'HOMOSEXUALITY'; VARIETIES OF 'ART'. INITIATORY HOMOSEXUALITY: THE 'SAMBIA' OF NEW GUINEA and ANCIENT GREECE AND ROME. GENDER-TRANSCENDENT HOMOSEXUALITY: POLYNESIA and NORTH AMERICA. PERFORMATIVE HOMOSEXUALITY: TOKUGAWA JAPAN * 2: BEFORE MODERNITY. EARLY CHRISTIAN AND MEDIEVAL EUROPE. THE RENAISSANCE. 17TH- AND 18TH-CENTURY EUROPE * 3: INVENTING THE MODERN: ART AND SEXUAL IDENTITY IN THE LATE- NINETEENTH CENTURY. IMAGERY AT MID-CENTURY. INVENTING THE AVANT-GARDE. ARTISTS AT MID-CENTURY. THE MODERN ARTIST AS HOMOSEXUAL. AESTHETES AND ART JOURNALS * 4: SECRETS AND SUBCULTURES, 1900-1940. ECHOES OF AESTHETICISM. AVANT-GARDE CONTINGENTS. SEXUALITY AND RACE. STRATEGIES OF CODING: ABSTRACTION AND SYMBOLS. THE LIMITS OF THE AVANT-GARDE. THE AVANT-GARDE AND THE OPEN SECRET. THE OPEN SECRET AND MASS CULTURE * 5: THE SHORT TRIUMPH OF THE MODERN: 1940-1965. EXPRESSION AND REPRESSION IN POST-WAR ART. POPULAR IMAGERY, POP ART, AND THE ORIGINS OF POSTMODERNISM. CAMP AND CRITICISM * 6: THE AVANT-GARDE AND ACTIVISM: 1965-1982. ART VS. POLITICS. FEMINISTS, LESBIANS, AND FEMALE SENSIBILITY. IDENTITY AND SENSIBILITY * 7: THE AIDS DECADE: 1982-1992. AIDS AND THE AVANT-GARDE. AIDS, ACTIVISM, AND VISUAL CULTURE. HOMOPHOBIA AND VISUAL CULTURE * 8: QUEER AND BEYOND. QUEER. FRAGMENTATION FROM WITHIN. PRESSURE FROM WITHOUT. WORKING THROUGH DIFFERENCE: THE BLACK MALE NUDE
* 1: VARIETIES OF 'HOMOSEXUALITY'; VARIETIES OF 'ART'. INITIATORY HOMOSEXUALITY: THE 'SAMBIA' OF NEW GUINEA and ANCIENT GREECE AND ROME. GENDER-TRANSCENDENT HOMOSEXUALITY: POLYNESIA and NORTH AMERICA. PERFORMATIVE HOMOSEXUALITY: TOKUGAWA JAPAN * 2: BEFORE MODERNITY. EARLY CHRISTIAN AND MEDIEVAL EUROPE. THE RENAISSANCE. 17TH- AND 18TH-CENTURY EUROPE * 3: INVENTING THE MODERN: ART AND SEXUAL IDENTITY IN THE LATE- NINETEENTH CENTURY. IMAGERY AT MID-CENTURY. INVENTING THE AVANT-GARDE. ARTISTS AT MID-CENTURY. THE MODERN ARTIST AS HOMOSEXUAL. AESTHETES AND ART JOURNALS * 4: SECRETS AND SUBCULTURES, 1900-1940. ECHOES OF AESTHETICISM. AVANT-GARDE CONTINGENTS. SEXUALITY AND RACE. STRATEGIES OF CODING: ABSTRACTION AND SYMBOLS. THE LIMITS OF THE AVANT-GARDE. THE AVANT-GARDE AND THE OPEN SECRET. THE OPEN SECRET AND MASS CULTURE * 5: THE SHORT TRIUMPH OF THE MODERN: 1940-1965. EXPRESSION AND REPRESSION IN POST-WAR ART. POPULAR IMAGERY, POP ART, AND THE ORIGINS OF POSTMODERNISM. CAMP AND CRITICISM * 6: THE AVANT-GARDE AND ACTIVISM: 1965-1982. ART VS. POLITICS. FEMINISTS, LESBIANS, AND FEMALE SENSIBILITY. IDENTITY AND SENSIBILITY * 7: THE AIDS DECADE: 1982-1992. AIDS AND THE AVANT-GARDE. AIDS, ACTIVISM, AND VISUAL CULTURE. HOMOPHOBIA AND VISUAL CULTURE * 8: QUEER AND BEYOND. QUEER. FRAGMENTATION FROM WITHIN. PRESSURE FROM WITHOUT. WORKING THROUGH DIFFERENCE: THE BLACK MALE NUDE
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