Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness.
Essays highlight the interplay between opera, art and ideology across three centuries. Three broad themes are opened up from a variety of approaches: nationalism, cosmopolitanism and national opera; opera, class and the politics of enlightenment; and opera and otherness.
'Studying a little of the French Air': Louis Grabu's Albion and Albanius and the Dramatic Operas of Henry Purcell - Andrew Woolley Mendelssohn's Die Hochzeit des Camacho: An Unfulfilled Vision for German Opera - Clive Brown Funding Grand Opera in Regional France: Ideologies of the Mid-Nineteenth Century - Katharine Ellis Stanford and Le Fanu's Shamus O'Brien: Protestant Constructions of Irish Nationalism in Late Victorian England - David Cooper Janácek, Nejedlý and the Future of Czech National Opera - 'As for opera, I am bewildered': Gustav Holst on the Fringe of European Opera - Richard Greene The Sadler's Wells Dialogues of Charles Dibdin - Nobility in Mozart's Opera - Flora Willson / Reviews New Light and the Man of Might: Revisiting Early Interpretations of Mozart's Die Zauberflöte - Rachel Cowgill The Victorian Violetta: The Social Messages of Verdi's La traviata - Roberta Montemorra Marvin Carl Nielsen's Carnival: Time, Space and the Politics of Identity in Maskarade - Daniel Grimley Beyond the Exotic: How 'Easter' is Aida? - Ralph Locke Beyond Orientalism: The International Rise of Japan and the Revisions to Madama Butterfly - Domingos de Mascarenhas Opera as Poetry: Bizet's Djamileh and the Ironies of Orientalism - Rimsky-Korsadov, Pan Voyevoda and the Polish Question: Exposing the 'Occidentalist Irony' - Stephen Muir Modernism's Distanced Sound: A British Approach to Schreker and Others - Peter Franklin Being-with Grimes: The Problem of Others in Britten's First Opera - Epilogue: Julian Rushton: A Family Memoir - Adrian Rushton and Edward Rushton and Thomas Rushton
'Studying a little of the French Air': Louis Grabu's Albion and Albanius and the Dramatic Operas of Henry Purcell - Andrew Woolley Mendelssohn's Die Hochzeit des Camacho: An Unfulfilled Vision for German Opera - Clive Brown Funding Grand Opera in Regional France: Ideologies of the Mid-Nineteenth Century - Katharine Ellis Stanford and Le Fanu's Shamus O'Brien: Protestant Constructions of Irish Nationalism in Late Victorian England - David Cooper Janácek, Nejedlý and the Future of Czech National Opera - 'As for opera, I am bewildered': Gustav Holst on the Fringe of European Opera - Richard Greene The Sadler's Wells Dialogues of Charles Dibdin - Nobility in Mozart's Opera - Flora Willson / Reviews New Light and the Man of Might: Revisiting Early Interpretations of Mozart's Die Zauberflöte - Rachel Cowgill The Victorian Violetta: The Social Messages of Verdi's La traviata - Roberta Montemorra Marvin Carl Nielsen's Carnival: Time, Space and the Politics of Identity in Maskarade - Daniel Grimley Beyond the Exotic: How 'Easter' is Aida? - Ralph Locke Beyond Orientalism: The International Rise of Japan and the Revisions to Madama Butterfly - Domingos de Mascarenhas Opera as Poetry: Bizet's Djamileh and the Ironies of Orientalism - Rimsky-Korsadov, Pan Voyevoda and the Polish Question: Exposing the 'Occidentalist Irony' - Stephen Muir Modernism's Distanced Sound: A British Approach to Schreker and Others - Peter Franklin Being-with Grimes: The Problem of Others in Britten's First Opera - Epilogue: Julian Rushton: A Family Memoir - Adrian Rushton and Edward Rushton and Thomas Rushton
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