Rhetoric was fundamental to education and to cultural aspiration in the Greek and Roman worlds. This collection of essays presents a large arena of responses and theoretical formulations about Roman visual culture within the literature of ancient rhetoric that has been significantly neglected in normative art history and Classical archaeology.
Rhetoric was fundamental to education and to cultural aspiration in the Greek and Roman worlds. This collection of essays presents a large arena of responses and theoretical formulations about Roman visual culture within the literature of ancient rhetoric that has been significantly neglected in normative art history and Classical archaeology.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Michel Meyer; Introduction Jä Elsner; Part I. Architecture and Public Space: 1. On the sublime in architecture Edmund Thomas; 2. Sublime histories, exceptional viewers: Trajan's Column and its visibility Francesco de Angelis; 3. Corpore enormi: the rhetoric of physical appearance in Suetonius and imperial portrait statuary Jennifer Trimble; 4. Beauty and the Roman female portrait Eve D'Ambra; Part II. The Domestic Realm: 5. The Casa del Menandro in Pompeii: rhetoric and the topology of Roman wall-painting Katharina Lorenz; 6. Agamemnon's grief: on the limits of expression in Roman rhetoric and painting Verity Platt; Part III. The Funerary: 7. Rhetoric and art in third-century AD Rome Barbara Borg; 8. Poems in stone: reading mythological sarcophagi through Statius' Consolations Zahra Newby; 9. The funerary altar of Pedana and the rhetoric of unreachability Caroline Vout; 10. Rational, passionate and appetitive: the psychology of rhetoric and the transformation of visual culture from non-Christian to Christian sarcophagi in the Roman world Jä Elsner; Part IV. Rhetoric and the Visual: 11. The ordo of rhetoric and the rhetoric of order Michael Squire; Coda: the rhetoric of Roman painting within the history of culture: a global interpretation Michel Meyer.
Preface Michel Meyer; Introduction Jä Elsner; Part I. Architecture and Public Space: 1. On the sublime in architecture Edmund Thomas; 2. Sublime histories, exceptional viewers: Trajan's Column and its visibility Francesco de Angelis; 3. Corpore enormi: the rhetoric of physical appearance in Suetonius and imperial portrait statuary Jennifer Trimble; 4. Beauty and the Roman female portrait Eve D'Ambra; Part II. The Domestic Realm: 5. The Casa del Menandro in Pompeii: rhetoric and the topology of Roman wall-painting Katharina Lorenz; 6. Agamemnon's grief: on the limits of expression in Roman rhetoric and painting Verity Platt; Part III. The Funerary: 7. Rhetoric and art in third-century AD Rome Barbara Borg; 8. Poems in stone: reading mythological sarcophagi through Statius' Consolations Zahra Newby; 9. The funerary altar of Pedana and the rhetoric of unreachability Caroline Vout; 10. Rational, passionate and appetitive: the psychology of rhetoric and the transformation of visual culture from non-Christian to Christian sarcophagi in the Roman world Jä Elsner; Part IV. Rhetoric and the Visual: 11. The ordo of rhetoric and the rhetoric of order Michael Squire; Coda: the rhetoric of Roman painting within the history of culture: a global interpretation Michel Meyer.
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