This book presents a global perspective on the political agency of arts in place. International and leading scholars and artists themselves present critical theory and practice of contemporary art as a politicised force. This book extends thinking on contemporary arts practices in the urban and political context of protest and social resilience and offers the prism of a 'critical artscape' in which to view the urgent interaction of arts and the urban politic.
This book presents a global perspective on the political agency of arts in place. International and leading scholars and artists themselves present critical theory and practice of contemporary art as a politicised force. This book extends thinking on contemporary arts practices in the urban and political context of protest and social resilience and offers the prism of a 'critical artscape' in which to view the urgent interaction of arts and the urban politic.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jason Luger is an urban researcher and Lecturer at the University of California, Berkeley, United States. Julie Ren is a Fellow in Human Geography at the London School of Economics, United Kingdom.
Inhaltsangabe
Foreword. Introduction. 1. How Colour Replaces Fear 2. The Collective Moment: Post-Museum's Rowell Road Period 3. Art/Movement as a Public Platform: Artistic Creations in the Sunflower Movement and the Umbrella Movement 4. Ghana ThinkTank: Mobility, Reversal and Cultural Differences 5. Diversifying the Stage of Policymaking - A New Policy Network in Berlin's Cultural Field 6. Alternative Art Schools in London: Contested Space and the Emergence of New Modes of Learning in Practice 7. RENT Poet: Commodity, Respectability and Scam in Los Angeles 8. Artist Activism as Essential Threshold from the 'Peaceful, Rational, Non-violence' Demonstrations towards Revolution: Social Actions in Hong Kong in the pre-Umbrella Movement Era 9. The Climate Games: Space, Politics and Resistance at the COP21 Paris 10. New Genre Public Commission? The Subversive Dimensions of Public Art in post-Fordist Capitalism 11. Unpacking Public Places in Gothenburg - The Event City: Becoming a Cannibal 12. Our House in the Middle of the Street 13. Crowd Creations: Interpreting Occupy Art in Hong Kong's Umbrella Movement 14. #Beirut, Urbanism and I: Framing the City through Space, Identity and Conflict. Conclusion
Foreword. Introduction. 1. How Colour Replaces Fear 2. The Collective Moment: Post-Museum's Rowell Road Period 3. Art/Movement as a Public Platform: Artistic Creations in the Sunflower Movement and the Umbrella Movement 4. Ghana ThinkTank: Mobility, Reversal and Cultural Differences 5. Diversifying the Stage of Policymaking - A New Policy Network in Berlin's Cultural Field 6. Alternative Art Schools in London: Contested Space and the Emergence of New Modes of Learning in Practice 7. RENT Poet: Commodity, Respectability and Scam in Los Angeles 8. Artist Activism as Essential Threshold from the 'Peaceful, Rational, Non-violence' Demonstrations towards Revolution: Social Actions in Hong Kong in the pre-Umbrella Movement Era 9. The Climate Games: Space, Politics and Resistance at the COP21 Paris 10. New Genre Public Commission? The Subversive Dimensions of Public Art in post-Fordist Capitalism 11. Unpacking Public Places in Gothenburg - The Event City: Becoming a Cannibal 12. Our House in the Middle of the Street 13. Crowd Creations: Interpreting Occupy Art in Hong Kong's Umbrella Movement 14. #Beirut, Urbanism and I: Framing the City through Space, Identity and Conflict. Conclusion
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