The visual arts, a privileged means of communicating Christian belief for more than a thousand years, were marginalized if not rejected by 16th-century reformers. This volume, containing papers read in a five-part conference held in France, Italy, and the US in 2017, brings together Catholic, Protestant, Orthodox, and Anglican theologians, art historians and artists in an unprecedented ecumenical conversation indispensable for future dialogue. With its broad range of confessional and methodological viewpoints, it offers an 'agora' experience of faith-based reactions to human creativity and communication.…mehr
The visual arts, a privileged means of communicating Christian belief for more than a thousand years, were marginalized if not rejected by 16th-century reformers. This volume, containing papers read in a five-part conference held in France, Italy, and the US in 2017, brings together Catholic, Protestant, Orthodox, and Anglican theologians, art historians and artists in an unprecedented ecumenical conversation indispensable for future dialogue. With its broad range of confessional and methodological viewpoints, it offers an 'agora' experience of faith-based reactions to human creativity and communication.
Monsignor Timothy Verdon, one of the world's most respected art historians, is the Academic Director of the Mount Tabor Centre in Barga, Italy. He earned his PhD at Yale University and has lived in Italy for the last half century where he also directs the Diocesan Office of Sacred Art and Church Cultural Heritage, the Cathedral Foundation Museum (Museo dell'Opera di Santa Maria del Fiore), and the Centre for Ecumenism of the Archdiocese of Florence.
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