Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world.
Elizabeth Sutton, using a phenomenological approach, investigates how animals in art invite viewers to contemplate human relationships to the natural world.
Elizabeth Sutton is Associate Professor at the University of Northern Iowa.
Inhaltsangabe
Table of Contents Chapter 1. Relational Ethics and Aesthetics Being and Thinking With Art and Animals Between Presence and Absence An Ethical Art History Chapter 2. Dogged Flesh: Rembrandt's Presentation in the Temple, c. 1640 Real and Represented Dogs Rembrandt's Three R's: Radical, Reflective, Revelatory The Rhetoric of Etching Fleshly Experience Past Made Present Chapter 3. Glances with Wolves: Encounters with Little John and Joseph Beuys Entangled Encounters Seeing and Being with Little John Presencing Other Worlds Imaginative Empathy Gathering Together in the Gap Chapter 4. Glimpses into the Unknown: Contemporary Taxidermy and Photography Spaces Between: Yellow and Taza Respecting Unknowns Dominance, Submission, and Freedom: Inert and Progression of Regression Death and the Object (Ars longa vita brevis EST) From Hierarchy to Horizontality Chapter 5. "We Are All Connected": Experiencing Art and Nature at Horseshoe Canyon Guided by Dogs and Children "We Are All Connected" Dwelling with Dogs and Earth Accessing Histories with Attentive Care Art and Earth as Places of Emergence Chapter 6. Caring for Art and Animals
Table of Contents Chapter 1. Relational Ethics and Aesthetics Being and Thinking With Art and Animals Between Presence and Absence An Ethical Art History Chapter 2. Dogged Flesh: Rembrandt's Presentation in the Temple, c. 1640 Real and Represented Dogs Rembrandt's Three R's: Radical, Reflective, Revelatory The Rhetoric of Etching Fleshly Experience Past Made Present Chapter 3. Glances with Wolves: Encounters with Little John and Joseph Beuys Entangled Encounters Seeing and Being with Little John Presencing Other Worlds Imaginative Empathy Gathering Together in the Gap Chapter 4. Glimpses into the Unknown: Contemporary Taxidermy and Photography Spaces Between: Yellow and Taza Respecting Unknowns Dominance, Submission, and Freedom: Inert and Progression of Regression Death and the Object (Ars longa vita brevis EST) From Hierarchy to Horizontality Chapter 5. "We Are All Connected": Experiencing Art and Nature at Horseshoe Canyon Guided by Dogs and Children "We Are All Connected" Dwelling with Dogs and Earth Accessing Histories with Attentive Care Art and Earth as Places of Emergence Chapter 6. Caring for Art and Animals
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