Art, Craft, and Theology in Fourth-Century Christian Authors analyses Christian Greek literature in the fourth century in order to emphasise the style, ingenuity, and craftsmanship demonstrated by the authors of such texts. It considers the way these 'wordsmiths' used classical literature techniques to strengthen their theological writings.
Art, Craft, and Theology in Fourth-Century Christian Authors analyses Christian Greek literature in the fourth century in order to emphasise the style, ingenuity, and craftsmanship demonstrated by the authors of such texts. It considers the way these 'wordsmiths' used classical literature techniques to strengthen their theological writings.
Professor Morwenna Ludlow studied Classics and then Theology at the University of Oxford. She is Professor of Christian History and Theology at the University of Exeter and has written widely on Gregory of Nyssa, including two monographs published by Oxford University Press.
Inhaltsangabe
1: Introduction 2: Ekphrasis: Seeing Things 3: Ekphrasis and Decision 4: The Rhetoric of Landscape in Gregory of Nyssa's Homilies on the Song of Songs 5: Ascetic Landscapes and Aesthetic Landscapes 6: Role-playing: Prosopopoeia and Embodied Performance 7: 'This is the Word of the Lord' 8: Women's Voices? 9: Talking Bodies 10: The Workshop 11: Conclusions: Art, Craft and Theology
1: Introduction 2: Ekphrasis: Seeing Things 3: Ekphrasis and Decision 4: The Rhetoric of Landscape in Gregory of Nyssa's Homilies on the Song of Songs 5: Ascetic Landscapes and Aesthetic Landscapes 6: Role-playing: Prosopopoeia and Embodied Performance 7: 'This is the Word of the Lord' 8: Women's Voices? 9: Talking Bodies 10: The Workshop 11: Conclusions: Art, Craft and Theology
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