Bringing together thinkers from philosophy of religion, religious studies, music, art, and film, while drawing on a wealth of phenomenological resources and methods, a team of renowned scholars provide new vantages on the question of how art is an expression of the human desire for God. In three interrelated parts, chapters employ phenomenological tools to propose new ways for speaking of the desire for God. Scholars first draw upon music, sculpture, film, and painting to develop ways of expressing diverse philosophical and religious aspects characteristic of aesthetic experience. The…mehr
Bringing together thinkers from philosophy of religion, religious studies, music, art, and film, while drawing on a wealth of phenomenological resources and methods, a team of renowned scholars provide new vantages on the question of how art is an expression of the human desire for God. In three interrelated parts, chapters employ phenomenological tools to propose new ways for speaking of the desire for God. Scholars first draw upon music, sculpture, film, and painting to develop ways of expressing diverse philosophical and religious aspects characteristic of aesthetic experience. The discussion then opens up to examine the mystical and wounded aspects of embodied interface with God. The final part investigates embodied aesthetic praxis in philosophy of religion and religious studies. With several contributions engaging with the embodied, aesthetic experience of underrepresented voices, Art, Desire, and God offers constructive phenomenological bridges across divides of disciplines, aesthetic experiences, and embodied actions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kevin G. Grove is Assistant Professor of Systematic (Philosophical) Theology at the University of Notre Dame, USA. Christopher C. Rios holds a Ph.D. in theology from the University of Notre Dame, USA. Taylor J. Nutter holds a Ph.D. in theology from the University of Notre Dame, USA.
Inhaltsangabe
List of Colour Plates Acknowledgements Introduction Kevin Grove Christopher Rios and Taylor Nutter (all of University of Notre Dame USA) Part I: Embodied Experience in Art and Film 1. Call and Response: Negation and the Configuration of Desire Férdia Stone-Davis (Lady Margaret Beaufort Institute of Theology University of Cambridge UK) 2. Making Sense in the Midst of Non-Sense: Félix Ravaisson and George Rickey as a Way Forward for Emmanuel Falque Tyler Holley (University of Aberdeen UK) 3. Perspective in Nicholas of Cusa and the Rise of the Transcendental Subject Nathan G. Pedersen (Loyola University Chicago USA) 4. Desirous Seeing: Sol LeWitt Vision and Paradox Daniel Lightsey (Southern Methodist University USA) 5. Memory and Desire for God in Terrence Malick's To the Wonder Jake Grefenstette (University of Cambridge UK) 6. Life in the Heart of Cinema: Michel Henry's New Phenomenology and Cinematic Form Joseph Kickasola (Baylor University USA) Part II: Carnal Encounter 7. Scandal in the Cornaro Chapel: Desire for God and the Ecstasy of Saint Teresa Martha Reineke (University of Northern Iowa USA) 8. Art and Desire in the Song of Songs Richard Kearney (Boston College USA) 9. The Touch of God: Woundedness and Desire in James Baldwin and Jean-Louis Chrétien Thomas Breedlove (Baylor University USA) Part III: Incarnate Performance 10. Of God and Trout Fishing: A Phenomenology of Reeligious Life J. Aaron Simmons (Furman University USA) 11. The Prescription of Liturgy for the Problem of Blindness in the Thought of Jean-Luc Marion Christina George (Sterling College USA) 12. Beauty Sacrament and the Road to Emmaus Wendy Theresa Crosby (Siena Heights University USA) 13. The Saturated Flesh of Christ: Christology Aesthetics and Subjectivity in Jean-Luc Marion and M. Shawn Copeland David de la Fuente (Fordham University USA) List of Contributors Index
List of Colour Plates Acknowledgements Introduction Kevin Grove Christopher Rios and Taylor Nutter (all of University of Notre Dame USA) Part I: Embodied Experience in Art and Film 1. Call and Response: Negation and the Configuration of Desire Férdia Stone-Davis (Lady Margaret Beaufort Institute of Theology University of Cambridge UK) 2. Making Sense in the Midst of Non-Sense: Félix Ravaisson and George Rickey as a Way Forward for Emmanuel Falque Tyler Holley (University of Aberdeen UK) 3. Perspective in Nicholas of Cusa and the Rise of the Transcendental Subject Nathan G. Pedersen (Loyola University Chicago USA) 4. Desirous Seeing: Sol LeWitt Vision and Paradox Daniel Lightsey (Southern Methodist University USA) 5. Memory and Desire for God in Terrence Malick's To the Wonder Jake Grefenstette (University of Cambridge UK) 6. Life in the Heart of Cinema: Michel Henry's New Phenomenology and Cinematic Form Joseph Kickasola (Baylor University USA) Part II: Carnal Encounter 7. Scandal in the Cornaro Chapel: Desire for God and the Ecstasy of Saint Teresa Martha Reineke (University of Northern Iowa USA) 8. Art and Desire in the Song of Songs Richard Kearney (Boston College USA) 9. The Touch of God: Woundedness and Desire in James Baldwin and Jean-Louis Chrétien Thomas Breedlove (Baylor University USA) Part III: Incarnate Performance 10. Of God and Trout Fishing: A Phenomenology of Reeligious Life J. Aaron Simmons (Furman University USA) 11. The Prescription of Liturgy for the Problem of Blindness in the Thought of Jean-Luc Marion Christina George (Sterling College USA) 12. Beauty Sacrament and the Road to Emmaus Wendy Theresa Crosby (Siena Heights University USA) 13. The Saturated Flesh of Christ: Christology Aesthetics and Subjectivity in Jean-Luc Marion and M. Shawn Copeland David de la Fuente (Fordham University USA) List of Contributors Index
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