Art Disarming Philosophy
Non-philosophy and Aesthetics
Herausgeber: Anderson, Gary; Shakespeare, Steven; Malone, Niamh
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Art Disarming Philosophy
Non-philosophy and Aesthetics
Herausgeber: Anderson, Gary; Shakespeare, Steven; Malone, Niamh
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This collection brings together an internationally known and interdisciplinary group of scholars, including a major new essay by Laruelle himself. Together they use non-philosophy to cross the boundaries between philosophy and performance.
This collection brings together an internationally known and interdisciplinary group of scholars, including a major new essay by Laruelle himself. Together they use non-philosophy to cross the boundaries between philosophy and performance.
Produktdetails
- Produktdetails
- Performance Philosophy
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 286
- Erscheinungstermin: 23. September 2021
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 570g
- ISBN-13: 9781538147467
- ISBN-10: 1538147467
- Artikelnr.: 60158687
- Performance Philosophy
- Verlag: Rowman & Littlefield Publishers
- Seitenzahl: 286
- Erscheinungstermin: 23. September 2021
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 570g
- ISBN-13: 9781538147467
- ISBN-10: 1538147467
- Artikelnr.: 60158687
Steven Shakespeare is senior lecturer in philosophy at Liverpool Hope University. He works in the area of continental philosophy of religion and has written on Kierkegaard, Derrida, and black metal theory. He is author of a number of books, including Kierkegaard and the Refusal of Transcendence. Niamh Malone is senior lecturer in drama at Liverpool Hope University. She has published in the areas of applied theatre and dementia, community theatre, storytelling/narrative and identity, global cities, and urban regeneration. She is the managing director of the Hope Graduate Theatre Company and is currently facilitating a three year project entitled "Forgotten Futures and the City" with residents of nursing homes in Liverpool. Gary Anderson coorganizes The Institute for the Art and Practice of Dissent at Home (www.dissentathome.org) and is a senior lecturer in drama at Liverpool Hope University. He is the author of Four Boys [for Beuys] and coeditor of Performance Research On Children. He also runs the Study Room in Exile in collaboration with the Live Art Development Agency.
Introduction
Chapter 1: 'Art Saved or Destroyed by its Works' by François Laruelle
Chapter 2: 'Opening the Circle: Performance Philosophy &/as a radical
equality of attention' by Laura Cull Ó Maoilearca
Chapter 3: 'Art and Philosophy: New solidarities' by Alice Rekab and
Anne-Françoise Schmid
Chapter 4: 'Plastic Matters: Lydia Clark's Non-art and Other
Non-philosophical Relations' by Annalaura Alifuoco
Chapter 5: 'Changing the world with non-philosophy or Laruelle and
art-activism' by Gary Anderson
Chapter 6: 'Performing nonhuman language: 'humaneity' in Ron Athey's Gifts
of the Spirit: Automatic Writing' by Hannah Lammin
Chapter 7: 'Out of the Ordinary: On Laruelle and the Mystic Performances of
Mina Bergson' by John Ó Maoilearca
Chapter 8: 'Art, (Non-)Philosophy, and Quantum-Mechanical Complementarity'
by Edia Connole
Chapter 9: 'Joyful Discontinuity: The Radical Immanence of Dementia' by
Niamh Malone
'The Generative Tone: Musical Disruptions of Philosophy's Tissue' by Steven
Shakespeare
Chapter 10: 'Pointless: Art at the End of the World' by Anthony Paul Smith
Index
Chapter 1: 'Art Saved or Destroyed by its Works' by François Laruelle
Chapter 2: 'Opening the Circle: Performance Philosophy &/as a radical
equality of attention' by Laura Cull Ó Maoilearca
Chapter 3: 'Art and Philosophy: New solidarities' by Alice Rekab and
Anne-Françoise Schmid
Chapter 4: 'Plastic Matters: Lydia Clark's Non-art and Other
Non-philosophical Relations' by Annalaura Alifuoco
Chapter 5: 'Changing the world with non-philosophy or Laruelle and
art-activism' by Gary Anderson
Chapter 6: 'Performing nonhuman language: 'humaneity' in Ron Athey's Gifts
of the Spirit: Automatic Writing' by Hannah Lammin
Chapter 7: 'Out of the Ordinary: On Laruelle and the Mystic Performances of
Mina Bergson' by John Ó Maoilearca
Chapter 8: 'Art, (Non-)Philosophy, and Quantum-Mechanical Complementarity'
by Edia Connole
Chapter 9: 'Joyful Discontinuity: The Radical Immanence of Dementia' by
Niamh Malone
'The Generative Tone: Musical Disruptions of Philosophy's Tissue' by Steven
Shakespeare
Chapter 10: 'Pointless: Art at the End of the World' by Anthony Paul Smith
Index
Introduction
Chapter 1: 'Art Saved or Destroyed by its Works' by François Laruelle
Chapter 2: 'Opening the Circle: Performance Philosophy &/as a radical
equality of attention' by Laura Cull Ó Maoilearca
Chapter 3: 'Art and Philosophy: New solidarities' by Alice Rekab and
Anne-Françoise Schmid
Chapter 4: 'Plastic Matters: Lydia Clark's Non-art and Other
Non-philosophical Relations' by Annalaura Alifuoco
Chapter 5: 'Changing the world with non-philosophy or Laruelle and
art-activism' by Gary Anderson
Chapter 6: 'Performing nonhuman language: 'humaneity' in Ron Athey's Gifts
of the Spirit: Automatic Writing' by Hannah Lammin
Chapter 7: 'Out of the Ordinary: On Laruelle and the Mystic Performances of
Mina Bergson' by John Ó Maoilearca
Chapter 8: 'Art, (Non-)Philosophy, and Quantum-Mechanical Complementarity'
by Edia Connole
Chapter 9: 'Joyful Discontinuity: The Radical Immanence of Dementia' by
Niamh Malone
'The Generative Tone: Musical Disruptions of Philosophy's Tissue' by Steven
Shakespeare
Chapter 10: 'Pointless: Art at the End of the World' by Anthony Paul Smith
Index
Chapter 1: 'Art Saved or Destroyed by its Works' by François Laruelle
Chapter 2: 'Opening the Circle: Performance Philosophy &/as a radical
equality of attention' by Laura Cull Ó Maoilearca
Chapter 3: 'Art and Philosophy: New solidarities' by Alice Rekab and
Anne-Françoise Schmid
Chapter 4: 'Plastic Matters: Lydia Clark's Non-art and Other
Non-philosophical Relations' by Annalaura Alifuoco
Chapter 5: 'Changing the world with non-philosophy or Laruelle and
art-activism' by Gary Anderson
Chapter 6: 'Performing nonhuman language: 'humaneity' in Ron Athey's Gifts
of the Spirit: Automatic Writing' by Hannah Lammin
Chapter 7: 'Out of the Ordinary: On Laruelle and the Mystic Performances of
Mina Bergson' by John Ó Maoilearca
Chapter 8: 'Art, (Non-)Philosophy, and Quantum-Mechanical Complementarity'
by Edia Connole
Chapter 9: 'Joyful Discontinuity: The Radical Immanence of Dementia' by
Niamh Malone
'The Generative Tone: Musical Disruptions of Philosophy's Tissue' by Steven
Shakespeare
Chapter 10: 'Pointless: Art at the End of the World' by Anthony Paul Smith
Index