This book examines three exhibitions of contemporary art held at the Vienna Kà nstlerhaus during the period of National Socialist rule and shows how each attempted to culturally erase elements anathema to Nazi ideology: the City, the Jewess and fin-de-sià cle Vienna.
This book examines three exhibitions of contemporary art held at the Vienna Kà nstlerhaus during the period of National Socialist rule and shows how each attempted to culturally erase elements anathema to Nazi ideology: the City, the Jewess and fin-de-sià cle Vienna.
Laura Morowitz is a professor of art history in the Department of Visual Arts at Wagner College, New York.
Inhaltsangabe
1. Introduction: Repression, Revision and the History of Art in Nazi Vienna 2. Austrian Identity, the Anschluss and the Creation of Ostmark 3. Ushering in the Ostmark: Vienna and the Künstlerhaus: Spring 1938 to Spring 1939 4. Erasing the City: Mountains and People of Ostmark: March 3 to April 23, 1939 5. Cultural Politics, Separatism and Baldur von Schirach: Summer 1939 to Spring 1942 6. Erasing the Jewess: The Beautiful Viennese Female Portrait: June 13 to July 12, 1942 7. The Pearl Loses Its Luster: Summer 1942 to Defeat at Stalingrad 8. Erasing the Fin de Siècle: The Gustav Klimt Exhibit, February 7 to March 7 1943 9. The Fall of Vienna and the Künstlerhaus 10. Conclusion
1. Introduction: Repression, Revision and the History of Art in Nazi Vienna 2. Austrian Identity, the Anschluss and the Creation of Ostmark 3. Ushering in the Ostmark: Vienna and the Künstlerhaus: Spring 1938 to Spring 1939 4. Erasing the City: Mountains and People of Ostmark: March 3 to April 23, 1939 5. Cultural Politics, Separatism and Baldur von Schirach: Summer 1939 to Spring 1942 6. Erasing the Jewess: The Beautiful Viennese Female Portrait: June 13 to July 12, 1942 7. The Pearl Loses Its Luster: Summer 1942 to Defeat at Stalingrad 8. Erasing the Fin de Siècle: The Gustav Klimt Exhibit, February 7 to March 7 1943 9. The Fall of Vienna and the Künstlerhaus 10. Conclusion
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