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An invaluable reflection on the legacy of Derek Williams (1929-1984), a Cardiff surveyor who, without specialist training in the field, built a collection of post-19th-century art of true quality, ensuring its display for and enjoyment by the people of Wales and international visitors after his death. Concise, insightful chapters by writer and curator David Moore examine the quality and variety of artworks assembled by Derek Williams or supported by the activity of the Derek Williams Trust, founded in 1992, over a period of over 25 years, ranging from painting to ceramics, photography and and digital media. Fully illustrated throughout.…mehr

Produktbeschreibung
An invaluable reflection on the legacy of Derek Williams (1929-1984), a Cardiff surveyor who, without specialist training in the field, built a collection of post-19th-century art of true quality, ensuring its display for and enjoyment by the people of Wales and international visitors after his death. Concise, insightful chapters by writer and curator David Moore examine the quality and variety of artworks assembled by Derek Williams or supported by the activity of the Derek Williams Trust, founded in 1992, over a period of over 25 years, ranging from painting to ceramics, photography and and digital media. Fully illustrated throughout.
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Autorenporträt
David Moore has worked extensively for museums and galleries in Wales and was curator of Brecknock Museum and Art Gallery between 1992 and 2004, where he established an extensive and well-supported programme of exhibitions focusing upon Welsh artists. David has written books and catalogues on Welsh art under the Crooked Window imprint, which he runs with artist Sue Hiley Harris (www.crookedwindow.co.uk). These include catalogues for the Contemporary Art Society for Wales which demonstrate the substantial impact of the Society's gifts upon regional public art collections.