This lively anthology explores the impact of the art, images and ideas associated with Maoism on artistic practices around the world from 1945 to the present. It establishes that the chameleonic appearances of global Maoism deserve a more prominent place in the study of art history. -- .
This lively anthology explores the impact of the art, images and ideas associated with Maoism on artistic practices around the world from 1945 to the present. It establishes that the chameleonic appearances of global Maoism deserve a more prominent place in the study of art history. -- .Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jacopo Galimberti is a British Academy Postdoctoral Fellow at the University of Manchester Noemi de Haro García is Ramón y Cajal Fellow at the Universidad Autónoma de Madrid Victoria H. F. Scott is an independent scholar
Inhaltsangabe
Introduction: the art of contradiction - Jacopo Galimberti, Noemi de Haro García and Victoria H. F. Scott 1 Realising the Chinese Dream: three visions of Making China great again - Stefan R. Landsberger 2 Realism, socialist realism and China's avant-garde: a historical perspective - Yan Geng 3 Engineering the human soul in 1950s Indonesia and Singapore - Simon Soon 4 Framing margins: Mao and visuality in twentieth-century India - Sanjukta Sunderason 5 The Black Panther newspaper and revolutionary aesthetics - Colette Gaiter 6 The Red Flag: the art and politics of West German Maoism - Lauren Graber and Daniel Spaulding 7 A secondary contradiction: feminist aesthetics and 'The Red Room for Vietnam' - Elodie Antoine 8 Materialist translations of Maoism in the work of Supports/Surfaces - Allison Myers 9 Mao, militancy and media: Daniel Dezeuze and China from scroll to (TV) screen - Sarah Wilson 10 La Familia Lavapiés: Maoism, art and dissidence in Spain - Noemi de Haro García 11 Maoism, Dadaism and Mao-Dadaism in 1960s and 1970s Italy - Jacopo Galimberti 12 Another red in the Portuguese diaspora: Lourdes Castro and Manuel Zimbro's Un autre livre rouge - Ana Bigotte Vieira and André Silveira 13 Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution) - Polly Savage 14 Maoist imaginaries in Latin American art - Ana Longoni 15 Iconography of a prison massacre: drawings by Peruvian Shining Path war survivors - Anouk Guiné 16 Mao in a gondola: Chinese representation at the Venice Biennale (1993-2003) - Estelle Bories 17 Reproducibility, propaganda and the Chinese origins of neoliberal aesthetics - Victoria H. F. Scott Index
Introduction: the art of contradiction - Jacopo Galimberti, Noemi de Haro García and Victoria H. F. Scott 1 Realising the Chinese Dream: three visions of Making China great again - Stefan R. Landsberger 2 Realism, socialist realism and China's avant-garde: a historical perspective - Yan Geng 3 Engineering the human soul in 1950s Indonesia and Singapore - Simon Soon 4 Framing margins: Mao and visuality in twentieth-century India - Sanjukta Sunderason 5 The Black Panther newspaper and revolutionary aesthetics - Colette Gaiter 6 The Red Flag: the art and politics of West German Maoism - Lauren Graber and Daniel Spaulding 7 A secondary contradiction: feminist aesthetics and 'The Red Room for Vietnam' - Elodie Antoine 8 Materialist translations of Maoism in the work of Supports/Surfaces - Allison Myers 9 Mao, militancy and media: Daniel Dezeuze and China from scroll to (TV) screen - Sarah Wilson 10 La Familia Lavapiés: Maoism, art and dissidence in Spain - Noemi de Haro García 11 Maoism, Dadaism and Mao-Dadaism in 1960s and 1970s Italy - Jacopo Galimberti 12 Another red in the Portuguese diaspora: Lourdes Castro and Manuel Zimbro's Un autre livre rouge - Ana Bigotte Vieira and André Silveira 13 Avenida Mao Tse Tung (or how artists navigated the Mozambican Revolution) - Polly Savage 14 Maoist imaginaries in Latin American art - Ana Longoni 15 Iconography of a prison massacre: drawings by Peruvian Shining Path war survivors - Anouk Guiné 16 Mao in a gondola: Chinese representation at the Venice Biennale (1993-2003) - Estelle Bories 17 Reproducibility, propaganda and the Chinese origins of neoliberal aesthetics - Victoria H. F. Scott Index
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