Art, History, and Postwar Fiction explores the ways in which twenty-century novelists responded to visual art and how writing about art was often a means of commenting on historical developments of the period.
Art, History, and Postwar Fiction explores the ways in which twenty-century novelists responded to visual art and how writing about art was often a means of commenting on historical developments of the period.
Kevin Brazil is a Lecturer in Twentieth and Twenty-First Century Literature at the University of Southampton. He is co-editor of Doris Lessing and the Forming of History (2016) and has published widely on twentieth- and twenty-first century fiction, in Modernism/modernity, Textual Practice, and the Journal for Modern Literature.
Inhaltsangabe
Introduction: Reviewing Postwar Fiction 1: Pig Vomit: Beckett's Art Historical Necessities 2: Canvas in the Cold War: William Gaddis and the Context of Art 3: The Moment of History: John Berger's Modernism after Realism 4: Art's Swindle: W. G. Sebald and History After Trauma Conclusion: The Perspective of the Present
Introduction: Reviewing Postwar Fiction 1: Pig Vomit: Beckett's Art Historical Necessities 2: Canvas in the Cold War: William Gaddis and the Context of Art 3: The Moment of History: John Berger's Modernism after Realism 4: Art's Swindle: W. G. Sebald and History After Trauma Conclusion: The Perspective of the Present
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