Art History and Visual Studies in Europe
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Reflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the…mehr

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Produktbeschreibung
Reflection on the history and practice of art history has long been a major topic of research and scholarship, and this volume builds on this tradition by offering a critical survey of many of the major developments in the contemporary discipline, such as the impact of digital technologies, the rise of visual studies or new initiatives in conservation theory and practice. Alongside these methodological issues this book addresses the mostly neglected question of the impact of national contexts on the development of the discipline. Taking a wide range of case studies, this book examines the impact of the specific national political, institutional and ideological demands on the practice of art history. The result is an account that both draws out common features and also highlights the differences and the plurality of practices that together constitute art history as a discipline.
Autorenporträt
Matthew Rampley is Professsor in the History of Art of the University of Birmingham. He has published widely on aesthetics and the historiography of art, with a particular focus on Nietzsche, Warburg, Riegl and the Vienna School of Art History, and is associate editor of the Journal of Art Historiography. Thierry Lenain is Professor of Art Theory at the Université Libre de Bruxelles. Published works include studies of forgery, monkey painting and the image in Deleuze, Foucault and Lyotard. Hubert Locher is Professor of the History and Theory of the Image, and Director of the German Art Historical Documentation Centre of the Philipps University, Marburg. Alongside work on the Renaissance, specifically, Alberti, Raphael and Ghirlandaio, he has also written and edited numerous books on museum and exhibitionary practice, art theory and the historiography of art. Andrea Pinotti is Professor of Philosophy at the Università degli Studi, Milan. He has written widely on German nineteenth- and twentieth-century aesthetics and its place within the historiography of art, including books on Riegl, Warburg and Walter Benjamin. Charlotte Schoell-Glass is Professor of Art History at the University of Hamburg. A member of the editorial board of Word & Image, her research interests focus on the relation between image and text, and she has also published on Aby Warburg, including a critical edition of the Diary of the Warburg Library in Hamburg and a study of Warburg and anti-Semitism. Kitty Zijlmans is Director of the Leiden University Institute for Cultural Disciplines. Her main areas of research and publication have been contemporary art, the theory and methodologies of art history and world art studies as a new disciplinary paradigm.