This fascinating book looks at the art of Britain's most famous contemporary artist, Tracey Emin. Writers from a range of art historical, artistic and curatorial perspectives examine how her work, life and celebrity status have become inextricably intertwined. They explore Emin's intersectional identity (including her Turkish-Cypriot heritage, ageing and sexuality), reflect on her early years as an artist, pay attention to key works such as My Bed, highlight the tensions between Emin's art and craft, and provide an eminently readable theorization of her distinctive creative practice. Tracey Emin: Art into Life will be of interest to a broad readership.…mehr
This fascinating book looks at the art of Britain's most famous contemporary artist, Tracey Emin. Writers from a range of art historical, artistic and curatorial perspectives examine how her work, life and celebrity status have become inextricably intertwined. They explore Emin's intersectional identity (including her Turkish-Cypriot heritage, ageing and sexuality), reflect on her early years as an artist, pay attention to key works such as My Bed, highlight the tensions between Emin's art and craft, and provide an eminently readable theorization of her distinctive creative practice. Tracey Emin: Art into Life will be of interest to a broad readership.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Deborah Cherry is Professor Emerita of Art History & Theory at the University of the Arts London, UK. She has written extensively on contemporary art, including two pioneering books on women artists, Painting Women: Victorian Women Artists (1994) and Beyond the Frame: Feminism and Visual Culture, Britain, 1850-1900 (2000) and her research interests are contemporary art and visual culture, transnational art and cultural translation, diaspora and migration, afterlives and haunting. Alexandra M. Kokoli is Senior Lecturer in Visual Culture at Middlesex University, UK. Her research is situated within feminist art history, theory and practice, focusing particularly on the fraught but fertile relationship between feminism and psychoanalysis.
Inhaltsangabe
Introduction: The Last Great Adventure is Me Deborah Cherry University of the Arts London UK and Alexandra Kokoli Middlesex University UK 1. Rethinking Tracey Emin: Life into Art Mark Durden University of South Wales UK 2. 'It was just me Tracey': Strategies of Self-Presentation in the Art of Tracey Emin Camilla Jalving National Gallery of Denmark Denmark 3. A Black Cat Crossed My Path Glenn Adamson Yale Center for British Art USA 4. Twenty Years in the Making: Tracey Emin's My Bed Deborah Cherry University of the Arts London UK 5. The Bonfire of the Fallacies (or is it Phalluses?) Alexandra Kokoli Middlesex University UK 6. Early Emin John White independent UK 7. 'I Do Not Expect to be a Mother': Non-Reproduction and Ageing in the Work of Tracey Emin Joanne Heath independent UK 8. Dream and Diaspora: Tracey Emin's Turkish Cypriot Legacy Alev Adil indepedent UK 9. All at Sea: Bad Girls Hut Myths and Tracey Emin's 'Property by the Sea' Gill Perry Open University UK
Introduction: The Last Great Adventure is Me Deborah Cherry University of the Arts London UK and Alexandra Kokoli Middlesex University UK 1. Rethinking Tracey Emin: Life into Art Mark Durden University of South Wales UK 2. 'It was just me Tracey': Strategies of Self-Presentation in the Art of Tracey Emin Camilla Jalving National Gallery of Denmark Denmark 3. A Black Cat Crossed My Path Glenn Adamson Yale Center for British Art USA 4. Twenty Years in the Making: Tracey Emin's My Bed Deborah Cherry University of the Arts London UK 5. The Bonfire of the Fallacies (or is it Phalluses?) Alexandra Kokoli Middlesex University UK 6. Early Emin John White independent UK 7. 'I Do Not Expect to be a Mother': Non-Reproduction and Ageing in the Work of Tracey Emin Joanne Heath independent UK 8. Dream and Diaspora: Tracey Emin's Turkish Cypriot Legacy Alev Adil indepedent UK 9. All at Sea: Bad Girls Hut Myths and Tracey Emin's 'Property by the Sea' Gill Perry Open University UK
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