Siona Wilson is associate professor of art history at the Graduate Center and the College of Staten Island, the City University of New York.
Inhaltsangabe
Contents Introduction: Sex Politics 1. Nightcleaners: The Ambiguities of Activism and the Limits of Production 2. The Spectator as Reproducer: Mary Kelly’s Early Films 3. Prostitution and the Problem of Feminist Art: The Emergent Queer Aesthetic of COUM Transmissions 4. Revolting Photographs: Proletarian Amateurism in Jo Spence and Terry Dennett’s Photography Workshop Acknowledgments Notes Bibliography Index
Contents Introduction: Sex Politics 1. Nightcleaners: The Ambiguities of Activism and the Limits of Production 2. The Spectator as Reproducer: Mary Kelly’s Early Films 3. Prostitution and the Problem of Feminist Art: The Emergent Queer Aesthetic of COUM Transmissions 4. Revolting Photographs: Proletarian Amateurism in Jo Spence and Terry Dennett’s Photography Workshop Acknowledgments Notes Bibliography Index
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