Siona Wilson is associate professor of art history at the Graduate Center and the College of Staten Island, the City University of New York.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Siona Wilson is associate professor of art history at the Graduate Center and the College of Staten Island, the City University of New York.
Inhaltsangabe
Contents Introduction: Sex Politics 1. Nightcleaners: The Ambiguities of Activism and the Limits of Production 2. The Spectator as Reproducer: Mary Kelly’s Early Films 3. Prostitution and the Problem of Feminist Art: The Emergent Queer Aesthetic of COUM Transmissions 4. Revolting Photographs: Proletarian Amateurism in Jo Spence and Terry Dennett’s Photography Workshop Acknowledgments Notes Bibliography Index
Contents Introduction: Sex Politics 1. Nightcleaners: The Ambiguities of Activism and the Limits of Production 2. The Spectator as Reproducer: Mary Kelly’s Early Films 3. Prostitution and the Problem of Feminist Art: The Emergent Queer Aesthetic of COUM Transmissions 4. Revolting Photographs: Proletarian Amateurism in Jo Spence and Terry Dennett’s Photography Workshop Acknowledgments Notes Bibliography Index
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