- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
This book examines the emergence of the European art market from the late middle ages to the early 19th century, including changing demand patterns and conditions of artistic creativity.
Andere Kunden interessierten sich auch für
- Greig ParkerProbate Inventories of French Immigrants in Early Modern London191,99 €
- Gender and Political Culture in Early Modern Europe, 1400-180060,99 €
- Portraits of Medieval Eastern Europe, 900-140051,99 €
- Portraits of Medieval Europe, 800-140050,99 €
- Richard W. UngerShips and Shipping in the North Sea and Atlantic, 1400-180046,99 €
- Susan E. JamesWomen's Voices in Tudor Wills, 1485-1603179,99 €
- Michelle FacosAn Introduction to Nineteenth-Century Art178,99 €
-
This book examines the emergence of the European art market from the late middle ages to the early 19th century, including changing demand patterns and conditions of artistic creativity.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 264
- Erscheinungstermin: 18. September 2018
- Englisch
- Abmessung: 154mm x 233mm x 19mm
- Gewicht: 406g
- ISBN-13: 9781138380073
- ISBN-10: 1138380075
- Artikelnr.: 55104065
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 264
- Erscheinungstermin: 18. September 2018
- Englisch
- Abmessung: 154mm x 233mm x 19mm
- Gewicht: 406g
- ISBN-13: 9781138380073
- ISBN-10: 1138380075
- Artikelnr.: 55104065
Michael North is Professor and Head of the Dept of History at the Ernst-Moritz-Arndt Universitÿt, Greifswald,Germany; David Ormrod is Senior Lecturer in Economic & Social History at the University of Kent at Canterbury, UK.
Contents: Introduction; Art and its markets, Michael North & David Ormrod;
Manuscript acquisition by the Burgundian court and the market for books in
the 15th-century Netherlands, Wim Blockmans; Some aspects of the origins of
the art market in 15th-century Bruges, Maximiliaan P. J. Martens; Is art a
barometer of wealth? Medieval art exports to the far north of Europe, Jan
von Bonsdorff; Artistic enterprise and Spanish patronage: the art market
during the reign of Isabel of Castile (1474-1504), Mari-Tere Alvarez; The
Italian Renaissance courts' demand for the arts: the case of d'Este of
Ferrara (1471-1560), Guido Guerzoni; The Roman art market in the 16th and
17th century, Volker Reinhardt; The Upper German trade in art and
curiosities before the Thirty Years War, Renate Pieper; Pricing the
unpriced: how Dutch 17th-century painters determined the selling price of
their work, Marten Jan Bok; Dealer-dealer pricing in the mid 17th-century
Antwerp-to-Paris art trade, Neil de Marchil, Hans Van Miegroet and Matthew
E. Raiff; Probate inventories, public sales and the Parisian art market in
the 17th century, Antoine Schnapper; Art auctions in Germany during the
18th century, Thomas Ketelsen; Arenas of connoisseurship: auctioning art in
later Stuart England, Brian Cowan; The origins of the London art market,
1660-1730 , David Ormrod; Commerce and the commodity: graphic display and
selling new consumer goods in 18th-century England, Maxine Berg and Helen
Clifford; Intrigue, jewellery and economics: court culture and display in
England and France in 1780s, Marcia Pointon; Bibliography; Index.
Manuscript acquisition by the Burgundian court and the market for books in
the 15th-century Netherlands, Wim Blockmans; Some aspects of the origins of
the art market in 15th-century Bruges, Maximiliaan P. J. Martens; Is art a
barometer of wealth? Medieval art exports to the far north of Europe, Jan
von Bonsdorff; Artistic enterprise and Spanish patronage: the art market
during the reign of Isabel of Castile (1474-1504), Mari-Tere Alvarez; The
Italian Renaissance courts' demand for the arts: the case of d'Este of
Ferrara (1471-1560), Guido Guerzoni; The Roman art market in the 16th and
17th century, Volker Reinhardt; The Upper German trade in art and
curiosities before the Thirty Years War, Renate Pieper; Pricing the
unpriced: how Dutch 17th-century painters determined the selling price of
their work, Marten Jan Bok; Dealer-dealer pricing in the mid 17th-century
Antwerp-to-Paris art trade, Neil de Marchil, Hans Van Miegroet and Matthew
E. Raiff; Probate inventories, public sales and the Parisian art market in
the 17th century, Antoine Schnapper; Art auctions in Germany during the
18th century, Thomas Ketelsen; Arenas of connoisseurship: auctioning art in
later Stuart England, Brian Cowan; The origins of the London art market,
1660-1730 , David Ormrod; Commerce and the commodity: graphic display and
selling new consumer goods in 18th-century England, Maxine Berg and Helen
Clifford; Intrigue, jewellery and economics: court culture and display in
England and France in 1780s, Marcia Pointon; Bibliography; Index.
Contents: Introduction; Art and its markets, Michael North & David Ormrod;
Manuscript acquisition by the Burgundian court and the market for books in
the 15th-century Netherlands, Wim Blockmans; Some aspects of the origins of
the art market in 15th-century Bruges, Maximiliaan P. J. Martens; Is art a
barometer of wealth? Medieval art exports to the far north of Europe, Jan
von Bonsdorff; Artistic enterprise and Spanish patronage: the art market
during the reign of Isabel of Castile (1474-1504), Mari-Tere Alvarez; The
Italian Renaissance courts' demand for the arts: the case of d'Este of
Ferrara (1471-1560), Guido Guerzoni; The Roman art market in the 16th and
17th century, Volker Reinhardt; The Upper German trade in art and
curiosities before the Thirty Years War, Renate Pieper; Pricing the
unpriced: how Dutch 17th-century painters determined the selling price of
their work, Marten Jan Bok; Dealer-dealer pricing in the mid 17th-century
Antwerp-to-Paris art trade, Neil de Marchil, Hans Van Miegroet and Matthew
E. Raiff; Probate inventories, public sales and the Parisian art market in
the 17th century, Antoine Schnapper; Art auctions in Germany during the
18th century, Thomas Ketelsen; Arenas of connoisseurship: auctioning art in
later Stuart England, Brian Cowan; The origins of the London art market,
1660-1730 , David Ormrod; Commerce and the commodity: graphic display and
selling new consumer goods in 18th-century England, Maxine Berg and Helen
Clifford; Intrigue, jewellery and economics: court culture and display in
England and France in 1780s, Marcia Pointon; Bibliography; Index.
Manuscript acquisition by the Burgundian court and the market for books in
the 15th-century Netherlands, Wim Blockmans; Some aspects of the origins of
the art market in 15th-century Bruges, Maximiliaan P. J. Martens; Is art a
barometer of wealth? Medieval art exports to the far north of Europe, Jan
von Bonsdorff; Artistic enterprise and Spanish patronage: the art market
during the reign of Isabel of Castile (1474-1504), Mari-Tere Alvarez; The
Italian Renaissance courts' demand for the arts: the case of d'Este of
Ferrara (1471-1560), Guido Guerzoni; The Roman art market in the 16th and
17th century, Volker Reinhardt; The Upper German trade in art and
curiosities before the Thirty Years War, Renate Pieper; Pricing the
unpriced: how Dutch 17th-century painters determined the selling price of
their work, Marten Jan Bok; Dealer-dealer pricing in the mid 17th-century
Antwerp-to-Paris art trade, Neil de Marchil, Hans Van Miegroet and Matthew
E. Raiff; Probate inventories, public sales and the Parisian art market in
the 17th century, Antoine Schnapper; Art auctions in Germany during the
18th century, Thomas Ketelsen; Arenas of connoisseurship: auctioning art in
later Stuart England, Brian Cowan; The origins of the London art market,
1660-1730 , David Ormrod; Commerce and the commodity: graphic display and
selling new consumer goods in 18th-century England, Maxine Berg and Helen
Clifford; Intrigue, jewellery and economics: court culture and display in
England and France in 1780s, Marcia Pointon; Bibliography; Index.