- Broschiertes Buch
- Merkliste
- Auf die Merkliste
- Bewerten Bewerten
- Teilen
- Produkt teilen
- Produkterinnerung
- Produkterinnerung
Art, Media Design, and Postproduction: Open Guidelines on Remix and Appropriation is a set of open-ended guidelines for art or design studio-based projects in any discipline.
Andere Kunden interessierten sich auch für
- Merima BruncevicLaw, Art and the Commons65,99 €
- Megan-Jane JohnstoneAlzheimer's Disease, Media Representations and the Politics of Euthanasia72,99 €
- John Gaetano D'AngeloScientific Misconduct Training Workbook29,99 €
- Julian WarnerCopyright, Data and Creativity in the Digital Age55,99 €
- Human Rights, Digital Society and the Law61,99 €
- Karen J LunsfordThe Effects of Intellectual Property Law in Writing Studies61,99 €
- John MurrayThe Media Law Dictionary70,99 €
-
-
-
Art, Media Design, and Postproduction: Open Guidelines on Remix and Appropriation is a set of open-ended guidelines for art or design studio-based projects in any discipline.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis
- Seitenzahl: 214
- Erscheinungstermin: 27. Juni 2018
- Englisch
- Abmessung: 226mm x 152mm x 18mm
- Gewicht: 499g
- ISBN-13: 9781138211339
- ISBN-10: 1138211338
- Artikelnr.: 51561810
- Verlag: Taylor & Francis
- Seitenzahl: 214
- Erscheinungstermin: 27. Juni 2018
- Englisch
- Abmessung: 226mm x 152mm x 18mm
- Gewicht: 499g
- ISBN-13: 9781138211339
- ISBN-10: 1138211338
- Artikelnr.: 51561810
Eduardo Navas teaches on the principles of cultural analytics and digital humanities at The Pennsylvania State University, researching the creative and political role of recyclability and remix in art, media and culture. He has lectured across the US, and has published two books on remix studies.
Acknowledgments
List of Figures
Introduction
Part 1: Media Production
1. Randomized Signification - Elements for Exchange
2. Analogized Codification - Mashups of Image and Text
3. Sampling Creativity - Material Sampling and Cultural Citation
4. Vectorial Pixels - Visual Aesthetics of Binary Code
5. Bifurcated Meaning - Infliction of Statements
Essay: Modernism and Media Production
Part 2: Metaproduction
6. Domesticated Noise - Manipulation of Sound
7. Visual Aurality - Image and Sound as Data
8. Versioning Time-Based Media - Reedits of Video and Sound
9. Time-Based Media in Physical Space - Loops in Video and Sound
Installations
10. The Assemblage Gaze - Of Media and Humans
Essay: Postmodernism and Metaproduction
Part 3: Postproduction
11. Media Mashups - Appropriation and Remix of Image, Sound, and Text
12. Regenerative Motion - Correlated Time Based Media
13. Regenerative Data - Aesthetics of Data Driven Objects
14. Distributed Collaboration - Collective Work Across Networks
15. Aesthetics of Negation - The Selective Process
Essay: The Prefix and Postproduction
Index
List of Figures
Introduction
Part 1: Media Production
1. Randomized Signification - Elements for Exchange
2. Analogized Codification - Mashups of Image and Text
3. Sampling Creativity - Material Sampling and Cultural Citation
4. Vectorial Pixels - Visual Aesthetics of Binary Code
5. Bifurcated Meaning - Infliction of Statements
Essay: Modernism and Media Production
Part 2: Metaproduction
6. Domesticated Noise - Manipulation of Sound
7. Visual Aurality - Image and Sound as Data
8. Versioning Time-Based Media - Reedits of Video and Sound
9. Time-Based Media in Physical Space - Loops in Video and Sound
Installations
10. The Assemblage Gaze - Of Media and Humans
Essay: Postmodernism and Metaproduction
Part 3: Postproduction
11. Media Mashups - Appropriation and Remix of Image, Sound, and Text
12. Regenerative Motion - Correlated Time Based Media
13. Regenerative Data - Aesthetics of Data Driven Objects
14. Distributed Collaboration - Collective Work Across Networks
15. Aesthetics of Negation - The Selective Process
Essay: The Prefix and Postproduction
Index
Acknowledgments
List of Figures
Introduction
Part 1: Media Production
1. Randomized Signification - Elements for Exchange
2. Analogized Codification - Mashups of Image and Text
3. Sampling Creativity - Material Sampling and Cultural Citation
4. Vectorial Pixels - Visual Aesthetics of Binary Code
5. Bifurcated Meaning - Infliction of Statements
Essay: Modernism and Media Production
Part 2: Metaproduction
6. Domesticated Noise - Manipulation of Sound
7. Visual Aurality - Image and Sound as Data
8. Versioning Time-Based Media - Reedits of Video and Sound
9. Time-Based Media in Physical Space - Loops in Video and Sound
Installations
10. The Assemblage Gaze - Of Media and Humans
Essay: Postmodernism and Metaproduction
Part 3: Postproduction
11. Media Mashups - Appropriation and Remix of Image, Sound, and Text
12. Regenerative Motion - Correlated Time Based Media
13. Regenerative Data - Aesthetics of Data Driven Objects
14. Distributed Collaboration - Collective Work Across Networks
15. Aesthetics of Negation - The Selective Process
Essay: The Prefix and Postproduction
Index
List of Figures
Introduction
Part 1: Media Production
1. Randomized Signification - Elements for Exchange
2. Analogized Codification - Mashups of Image and Text
3. Sampling Creativity - Material Sampling and Cultural Citation
4. Vectorial Pixels - Visual Aesthetics of Binary Code
5. Bifurcated Meaning - Infliction of Statements
Essay: Modernism and Media Production
Part 2: Metaproduction
6. Domesticated Noise - Manipulation of Sound
7. Visual Aurality - Image and Sound as Data
8. Versioning Time-Based Media - Reedits of Video and Sound
9. Time-Based Media in Physical Space - Loops in Video and Sound
Installations
10. The Assemblage Gaze - Of Media and Humans
Essay: Postmodernism and Metaproduction
Part 3: Postproduction
11. Media Mashups - Appropriation and Remix of Image, Sound, and Text
12. Regenerative Motion - Correlated Time Based Media
13. Regenerative Data - Aesthetics of Data Driven Objects
14. Distributed Collaboration - Collective Work Across Networks
15. Aesthetics of Negation - The Selective Process
Essay: The Prefix and Postproduction
Index