Art, Media Design, and Postproduction: Open Guidelines on Remix and Appropriation is a set of open-ended guidelines for art or design studio-based projects in any discipline.
Art, Media Design, and Postproduction: Open Guidelines on Remix and Appropriation is a set of open-ended guidelines for art or design studio-based projects in any discipline.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Eduardo Navas teaches on the principles of cultural analytics and digital humanities at The Pennsylvania State University, researching the creative and political role of recyclability and remix in art, media and culture. He has lectured across the US, and has published two books on remix studies.
Inhaltsangabe
Acknowledgments List of Figures Introduction Part 1: Media Production 1. Randomized Signification - Elements for Exchange 2. Analogized Codification - Mashups of Image and Text 3. Sampling Creativity - Material Sampling and Cultural Citation 4. Vectorial Pixels - Visual Aesthetics of Binary Code 5. Bifurcated Meaning - Infliction of Statements Essay: Modernism and Media Production Part 2: Metaproduction 6. Domesticated Noise - Manipulation of Sound 7. Visual Aurality - Image and Sound as Data 8. Versioning Time-Based Media - Reedits of Video and Sound 9. Time-Based Media in Physical Space - Loops in Video and Sound Installations 10. The Assemblage Gaze - Of Media and Humans Essay: Postmodernism and Metaproduction Part 3: Postproduction 11. Media Mashups - Appropriation and Remix of Image, Sound, and Text 12. Regenerative Motion - Correlated Time Based Media 13. Regenerative Data - Aesthetics of Data Driven Objects 14. Distributed Collaboration - Collective Work Across Networks 15. Aesthetics of Negation - The Selective Process Essay: The Prefix and Postproduction Index
Acknowledgments List of Figures Introduction Part 1: Media Production 1. Randomized Signification - Elements for Exchange 2. Analogized Codification - Mashups of Image and Text 3. Sampling Creativity - Material Sampling and Cultural Citation 4. Vectorial Pixels - Visual Aesthetics of Binary Code 5. Bifurcated Meaning - Infliction of Statements Essay: Modernism and Media Production Part 2: Metaproduction 6. Domesticated Noise - Manipulation of Sound 7. Visual Aurality - Image and Sound as Data 8. Versioning Time-Based Media - Reedits of Video and Sound 9. Time-Based Media in Physical Space - Loops in Video and Sound Installations 10. The Assemblage Gaze - Of Media and Humans Essay: Postmodernism and Metaproduction Part 3: Postproduction 11. Media Mashups - Appropriation and Remix of Image, Sound, and Text 12. Regenerative Motion - Correlated Time Based Media 13. Regenerative Data - Aesthetics of Data Driven Objects 14. Distributed Collaboration - Collective Work Across Networks 15. Aesthetics of Negation - The Selective Process Essay: The Prefix and Postproduction Index
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