This volume presents new essays on art, mind, and narrative inspired by the work of the late Peter Goldie. Topics covered include the role of narrative thinking in our lives, the nature of our imaginative engagement with fiction, the emotions and their role in motivating action, and the nature of conceptual art.
This volume presents new essays on art, mind, and narrative inspired by the work of the late Peter Goldie. Topics covered include the role of narrative thinking in our lives, the nature of our imaginative engagement with fiction, the emotions and their role in motivating action, and the nature of conceptual art.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Julian Dodd is Professor of Philosophy at the University of Manchester and Director of the Mind Association. He has written predominantly in the philosophy of language, metaphysics, and aesthetics. His publications include two monographs, An Identity Theory of Truth (Palgrave, 2000) and Works of Music: An Essay in Ontology (Oxford University Press, 2007), as well as the co-edited collection (with Helen Beebee), Truthmakers: The Contemporary Debate (Oxford University Press, 2005). He is currently working on topics in the philosophy of music and, in particular, a book-length project about authenticity in musical performance.
Inhaltsangabe
* Introduction * Part I. Narrative Thinking * 1: Marya Schechtman: A Mess Indeed: Empathic Access, Narrative, and Identity * 2: Derek Matravers: Life and Narrative * 3: Peter Lamarque: Peter Goldie on Narrative Thinking * 4: David Papineau: The Foundations of Narrative * 5: Edward Harcourt: The Dangers of Fiction: Lord Jim and Moral Perfectionism * 6: Robert Hopkins: Remember Leonard Shelby : Memento and the Double Life of Memory * Part II. Emotion, Mind, and Art * 7: Kathleen Stock: Free Indirect Discourse and Imagining from the Inside * 8: Joel Smith: Perceptual Recognition, Emotion and Value * 9: Ronald de Sousa: Love and Reason: Reflections on Themes from Peter Goldie * 10: Matthew Kieran: Sentiment and Sentimentality: Affective Attachment and Orientation in Life and Art * 11: Sabine Döring: Expressing Emotions: From Action to Art * 12: Paul L. Harris: Missing Persons * Part III. Art, Value, and Ontology * 13: Elisabeth Schellekens: Aesthetic Sensibility, Epistemic Virtue and Emotional Sharing * 14: Dominic McIver Lopes: In the eye of the Beholder * 15: Julian Dodd: The Ontology of Conceptual Art: Against the Idea Idea
* Introduction * Part I. Narrative Thinking * 1: Marya Schechtman: A Mess Indeed: Empathic Access, Narrative, and Identity * 2: Derek Matravers: Life and Narrative * 3: Peter Lamarque: Peter Goldie on Narrative Thinking * 4: David Papineau: The Foundations of Narrative * 5: Edward Harcourt: The Dangers of Fiction: Lord Jim and Moral Perfectionism * 6: Robert Hopkins: Remember Leonard Shelby : Memento and the Double Life of Memory * Part II. Emotion, Mind, and Art * 7: Kathleen Stock: Free Indirect Discourse and Imagining from the Inside * 8: Joel Smith: Perceptual Recognition, Emotion and Value * 9: Ronald de Sousa: Love and Reason: Reflections on Themes from Peter Goldie * 10: Matthew Kieran: Sentiment and Sentimentality: Affective Attachment and Orientation in Life and Art * 11: Sabine Döring: Expressing Emotions: From Action to Art * 12: Paul L. Harris: Missing Persons * Part III. Art, Value, and Ontology * 13: Elisabeth Schellekens: Aesthetic Sensibility, Epistemic Virtue and Emotional Sharing * 14: Dominic McIver Lopes: In the eye of the Beholder * 15: Julian Dodd: The Ontology of Conceptual Art: Against the Idea Idea
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