Reveals the Art Nouveau period (1890-1905) as an era dedicated to design reform in all areas of the visual arts. Architecture, interior decoration, furniture, jewellery, bookbinding, posters, ceramics, glass, wallpaper, and textiles, are the subjects of critical documentation; annotated bibliographic entries from literature of the period, provide evidence for the spread of design changes in France, Belgium, England, and the United States. Evidence from later publications adds a chronological dimension and demonstrates the changes in the way the Art Nouveau period has been studied.
First published in 1998. Design reform in the fields of architecture and the decorative or applied arts became objectified through writings published during the period of 1885 to 1910. This investigation includes, but is not limited to, Art Nouveau in France and Belgium, and the arts and crafts movement in England and the United States. Even though the similar processes of creativity and shared goals of Art Nouveau and the arts and crafts movement have long been recognized, attempts to explore their origins and their points of interrelation with the broader scope of art history have been largely unsuccessful-until now.
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First published in 1998. Design reform in the fields of architecture and the decorative or applied arts became objectified through writings published during the period of 1885 to 1910. This investigation includes, but is not limited to, Art Nouveau in France and Belgium, and the arts and crafts movement in England and the United States. Even though the similar processes of creativity and shared goals of Art Nouveau and the arts and crafts movement have long been recognized, attempts to explore their origins and their points of interrelation with the broader scope of art history have been largely unsuccessful-until now.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.